A Quote by William Clark Green

You have to think, when I was growing up Internet was a thing but no one had it. We didn't have it at the house, so music was not accessible at your fingertips. Whatever you had in your CD player was what you had, and a CD was $15.99 and if you weren't 18 years old, it couldn't have any cuss words on it. Now it is so accessible.
I've been in sport for 15 years now and I'm actually shocked at the changes. We had all these things, but we couldn't utilize them. They were not accessible to us. They're actually accessible right now.
I have a huge record and cd collection of all kinds of great classical, jazz and all music but I find the internet very accessible and quick.
I am a big fan of A.R. Rahman and Mani Sharma, and I went to a shop to buy these music directors' CD. But I had only Rs 100, and Rahman's CD cost more, so I couldn't buy both. So I bought Rahman's CD and stole Mani Sharma's CD.
My dad went to medical school, and when he studied he listened to music so he has a ridiculous CD collection. That was always something we had growing up from him; there was always good music playing at the house.
I do have issues with the fact that music is so accessible nowadays. When I was growing up, we had to find our music; we had to fight for it. But hey, you live in the age that you're born in, and you get on with it.
The first CD I had, that I think had had any redeeming qualities to it, I did when I was 25 with a relatively small label called Chiarascuro.
Do you really think he was flirting with me?" "Let's see. He gave you candy you hate - I saw your face - and a CD of songs..." He looks at the CD. "All of these are, like, twenty years old at least. Figures. Oh, and he groped your face. Sounds like true love to me.
As rich as you think some of us are, for every $18.99 CD you buy, the artist usually sees a toonie or so. Pay your producer out of that. Then your manager. Then split it five ways among your band mates. Now don't act surprised when you see the drummer of a platinum-selling Canadian rock band behind the drive- thru window at Tim Hortons
I knew a guy who had $5 million and owned his house free and clear. But he wanted to make a bit more money to support his spending, so at the peak of the internet bubble he was selling puts on internet stocks. He lost all of his money and his house and now works in a restaurant. It's not a smart thing for the country to legalize gambling [in the stock market] and make it very accessible.
We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.
My father loved to complain about big business and big government, but we had a solid middle class upbringing. We had good public schools. We had accessible health care. We had our little, you know, one-family house that, you know, he saved up his money, didn't believe in mortgages.
My whole career began because I was always putting my music on the Internet. By the time I had my first tour, I had an audience everywhere I went, because people were listening online. I started with a website, Jasonmraz.com, pre-YouTube. You could e-mail me directly, and I would send you a CD.
It wasn't a thing I had consciously missed, but having it now reminded me of the joy of it; that drowsy intimacy in which a man's body is accessible to you as your own, the strange shapes and textures of it like a sudden extension of your own limbs.
Would you go into a CD store and steal a CD? It's the same thing, people going into the computers and loggin' on and stealing our music.
When I was 18, I took a trip to Thailand with a friend. We stayed for a month. Bangkok was very raw for a teenager: there were no cellphones, no Internet, and the only music I had with me was this cassette by Liz Phair. I was writing a lot of poetry, and she embodied a talky style of songwriting that I found very accessible.
There was this cereal, and it had a special promotion with a CD inside the box that had a really simple music-making program on it. I got it, and that opened my mind to being able to make music on a computer and seeing all the different layers.
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