A Quote by William Faulkner
The poets are almost always wrong about the facts... That's because they are not really interested in facts: only in truth...
Related Quotes
The poets are wrong of course […] But then poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.
Facts are simple and facts are straight. Facts are lazy and facts are late. Facts all come with points of view. Facts don't do what I want them to. Facts just twist the truth around. Facts are living turned inside out.
I don't like realism. We already know the real facts about li[fe], most of the basic facts. I'm not interested in repeating what we already know. We know about sex, about violence, about murder, about war. All these things, by the time we're 18, we're up to here. From there on we need interpreters. We need poets. We need philosophers. We need theologians, who take the same basic facts and work with them and help us make do with those facts. Facts alone are not enough. It's interpretation.
[The scientist] believes passionately in facts, in measured facts. He believes there are no bad facts, that all facts are good facts, though they may be facts about bad things, and his intellectual satisfaction can come only from the acquisition of accurately known facts, from their organization into a body of knowledge, in which the inter-relationship of the measured facts is the dominant consideration.
So when someone, a veteran stands up and say, "Here are the facts on the VA." He [Donald Trump] says, "No, your facts are wrong." Turns out her facts are right and his facts are wrong.
The truth isn't just the facts. You can have all the facts imaginable and miss the truth, just as you can have facts missing or some wrong, and reach the larger truth.
The truth is very important. No matter how negative it is, it is imperative that you learn the truth, not necessarily the facts. I mean, that, that can come, but facts can stand in front of the truth and almost obscure the truth. It is imperative that students learn the truth of our history.
Truths emerge from facts, but they dip forward into facts again and add to them; which facts again create or reveal new truth (the word is indifferent) and so on indefinitely. The 'facts' themselves meanwhile are not true. They simply are. Truth is the function of the beliefs that start and terminate among them.
The successful memoirist [blogger] respects facts, uses them accurately, rigorously represses the human impulse to lie or embellish, but knows that truth is both different from facts and greater than facts, and not always their sum.
When you are studying any matter or considering any philosophy, ask yourself only: what are the facts, and what is the truth that the facts bear out. Never let yourself be diverted by what you wish to believe, but look only and surely at what are the facts.
The New Yorker has devoted itself for 59 years not only to facts and literal accuracy but to truth. And truth begins, journalistically, with the facts.
In fact, I always assumed that most everything I read was true, to one degree or another. I couldn't articulate this fact until after I read Tim O'Brien's The Things They Carried and he discussed Happening Truth, Story Truth, and Emotional Truth. I always understood that the facts of The Sun Also Rises or On the Road were the facts as dictated by a certain narrative structure, but because the experiences of those characters echoed my own feelings about the world. I knew there was a Happening Truth behind them.
It is not the facts which guide the conduct of men, but their opinions about facts; which may be entirely wrong. We can only make them right by discussion.
Proust is interested in minutiae because life, as he sees it, is seldom ever about things but about our impression of things, not about facts but about the interpretation of facts, not about one particular feeling but about a confluence of conflicting feelings. Everything is elusive in Proust because nothing is ever certain.
I think everybody's talking about like facts and truth and you know like that 'We're here to fact check' and all of that, that's the base material of journalism. You cannot have journalism without facts and truth. But if facts and truth were what actually you know sort of moved people's lives and moved their decision-making like the election would have had a different outcome.
Almost all the other fellows do not look from the facts to the theory but from the theory to the facts; they cannot get out of the network of already accepted concepts; instead, comically, they only wriggle about inside.
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