A Quote by William Henry Ashley
These mountains appear to be almost entirely composed of stratas of rock of various colours (mostly red) and are partially covered with a dwarfish growth of pine and cedar, which are the only species of timber to be seen.
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The colour of a British wood in autumn is predominantly yellow. There are relatively few European trees which have red leaves in the autumn. But there are splashes of crimson or rust-red colours from a few indigenous trees, like the rowan, as well as from introduced species, like the North American red oak.
The mountain trembled like an earthquake. Dust flew into the sky. And the rock turned dark red, like the color of blood'. 'How would you know?' Asks Sindhi cap. 'You only have a black and white television'. 'But it's a very good one. You can almost see colours.
I found everything so remote but, at the same time, familiar when I occasionally looked into the mountains, rocks, pine trees and plums depicted in old literati paintings. My innermost feeling which was awakened by the same mountains, rocks, pine trees and plums has been totally and utterly changed. Moreover, like an apparition, it hides deep down in my vessels. The very trees and rocks have become the storage of memories and emotions from various eras. Forced by the rapid change of time and perspective, I cannot help but feel urged to face up to these things once again.
The various processes of belief acquisition which are native to a species include ones which may allow for the reliable pick-up of information, which, in turn, allows individual members of the species to successfully negotiate their environment and satisfy their various desires.
Creede is built of new pine boards and lies between two immense mountains covered with pines and snow.
I have since only rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment when the mountains open and a new light roars in spate through the crack, and the mountains slam.
I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.
... we might say that the earth has a spirit of growth; that its flesh is the soil, its bones the arrangement and connection of the rocks of which the mountains are composed, its cartilage the tufa, and its blood the springs of water.
The islands above the falls are covered with foliage as beautiful as can be seen anywhere. Viewed from the mass of rock which overhangs the fall, the scenery was the loveliest I had seen.
In the winter, I read next to a wood-burning stove. In the summer, we have a place up in Michigan where I like to read in a hammock. It's almost entirely hidden by cedar trees and right up by the water. You can climb in there and see nothing but water and be seen by nobody. It's perfect.
Fred didn't have a favourite colour. He was just pleased that he could see all of the colours in the colour chart. That was his wish for everyone. Fred wanted people to experience the joy of seeing vivid colours - in nature: the greens and browns of the mountains; in their work: the orange, red and black of the back of the retina; and in life.
The spirit, if it could be seen with mortal eyes, would appear in bodily shape like a full-grown person with individual endowments that make it a counter-part of the body in which it [resides,] "that which is temporal in the likeness of that which is spiritual." (D&C 77:2.) It was that which came from God and entered at birth into the infant body prepared by its mortal parents. The spirit was of the "Lord from heaven." The physical body was "of the earth, earthy," (2 Cor. 15:47) or in other words, composed of the elements of which the things in the physical world are composed.
And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore. These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention.
The several difficulties here discussed, namely our not finding in the successive formations infinitely numerous transitional links between the many species which now exist or have existed; the sudden manner in which whole groups of species appear in our European formations; the almost entire absence, as at present known, of fossiliferous formations beneath the Silurian strata, are all undoubtedly of the gravest nature.
I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.
In treating of the oak, I have considered that the species of it growing in warm climates is superior to that which is produced in cold countries. But we must not imagine this to be the case with all woods; on the contrary, the fir timber grown in cold countries is superior to that produced in warm ones, where its growth is rapid.
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