A Quote by William Morris
If there is a reason for keeping the wall very quiet, choose a pattern that works all over without pronounced lines...Put very succinctly, architectural effect depends upon a nice balance of horizontal, vertical and oblique. No rules can say how much of each; so nothing can really take the place of feeling and good judgement.
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Inspiration is everywhere - life, travel, childhood, nature - it depends on how you see it, how you can absorb the inspiration, and it depends on how your mind thinks. It could be a pattern on the floor that may be the next pattern I put on a cake, it just depends upon how you take it, when you're seeing it and what you're looking for.
Most gospel music is very vertical. And there's nothing wrong with that - there's nothing wrong with, you know, 'God, we praise you,' and 'hallelujah.' Those songs are very important. But I also like to do songs that are very horizontal, that kind of fit within the fabric of people's everyday life.
I don't have very much interest in trends and fashions. I don't follow the fashion shows and stuff like that into my real life. But I'm very, very interested in how people put themselves together, how women and men announce themselves to the world, through what they put on their bodies. Whether we choose Birkenstocks or whether we choose Burberry - it all signifies something and it's really interesting to me.
How much freedom I have depends on the number and nature of my options. And that, in turn, depends both on the rules of the game and on the assetts of the players: it is a very important and widely neglected truth that it does not depend on the rules of the game alone.
New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.
I remember [Patrick J. Adams] being in a particularly disillusioned place and really wanting your ambitions to be met with opportunity and not feeling like they were. It's all the more reason that I feel grateful to be able to stay connected and be in each other's lives. Obviously now you're in a very different place, and it's really nice to be able to look back on that and be reminded of how far we've come, at least in the opportunity aspect. The mental state aspect of it is a different story, I'm sure, but I always knew you would work.
Emphasis was usually put on the horizontal acceleration factor, for the simple reason that ordinary structures have a built-in safety factor for the vertical component; that is, gravity.
How I was raised was, there were no rules - nothing like that. If I wanted to take a drug because I was in school and everybody was doing it, I could go to my parents and say, "I really want to try this." And they'd say, "If you do this, O.K., but this is what can happen to you..." They'd say, "Don't get it in the streets, because it could be really bad and make you freak out. Don't take it in a crowded place, because you'll panic."
Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
Quiet is definitely not how I would describe New York, but if I go outside of the front door, I see the beautiful Central Park, so it's a nice place to be. And I have a very quiet room, which helps!
The challenge in my life really is keeping the balance between feeling creatively energized and fulfilled without feeling overwhelmed and like I'm in the middle of a battlefield.
It's what I like to call the horizontal Jesus. Vertical Jesus are the songs that say 'Lord I love you, Lord I praise you, Lord I thank you' and horizontal is 'I'm in a situation. This is the problem. How can I apply that now horizontally?' There are more problems in the world because he's not being applied horizontally.
If you really watch 'The Voice' and follow Adam, he's very ADD. He's kind of one place here, and then he's over here the next minute; he's kind of all over the place. When it comes down to being very serious, and especially when we were talking about the finale song, he's actually very serious, and he's a very good listener.
I did several shows with Jimi Hendrix, that's when I got to know him better, I knew of him, I met him [when he was playing] with Little Richard... And he was kind of quiet, shy, he didn't open up too much, but there were questions as we all ask each other. You know, "how do you do this" and "why do you do that..." We had very small discussions on things like that. And he was very polite, I thought [he was] a very nice guy.
The challenge in my life really is keeping the balance between feeling creatively energized and fulfilled without feeling overwhelmed and like Im in the middle of a battlefield.
It is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.
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