A Quote by William Morris Hunt

It's no easy matter to paint a background. I venture to say that the old painters had more difficulty with their grounds than with their figures. You know the story of Vandyke brought to Rubens with this recommendation: 'He already knows how to paint a background.' 'That is more than I can do!' was the reply.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
It's a privilege, you know, to paint and it takes up a lot of time and it means there's a lot of things you don't do. But still, with me, painting was more than a profession, it was also an obsession. I had to paint.
Know what you're trying to do before you do it. Turning knobs at random isn't enlightening any more than throwing paint at a wall blindfolded will let you paint a nice picture.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
There's nothing more superficial to do than to paint a beautiful woman. The most beautiful portraits in art were of ugly women. If you paint Brigitte Bardot, it's a disaster. Sunsets, you have to stay away from sunsets. You paint a sunset, you are in great danger.
If you're an artist, you need to work. It doesn't matter how old you are, who you are. It doesn't matter if you're 12: if you draw, you draw. If you're 85 and you paint, you paint.
There is no condition that you cannot modify into something more, any more than there is any painting that you can paint and not like and just paint over it again. There are many limiting thoughts in the human environment that make it feel like it is not so, as you have these incurable illnesses, or these unchangeable conditions. But we say, they are only "unchangeable" because you believe that they are.
I would say - and paint doesn't peel unless it's acrylic paint, so maybe it is acrylic paint that they're using, not oil paint. So let me say yes, it would be acrylic house paint, which, when it dries, peels very nicely. So let's go with that.
With regards to the paint, I'm normally quite introverted and shy. I keep myself to myself, and I find that when I hide behind the paint, so to speak, I'm able to let myself go more and move more freely than I can without it.
When I paint a portrait I want to know more than just the looks of the person. I want to know how they live and what their feelings are... It then becomes more than just physiognomy, but the feel of the person.
I did not know how to paint or even what to paint, but I knew I had to begin.
You want to know how to paint a perfect painting? It's easy. Make yourself perfect and then just paint naturally.
My thing is about following the accidental, more than trying to paint an accurate bowl of apples. I enjoy most following the paint. It leads me somewhere else. I think I enjoy just letting the magic unfold and letting the spirit of the paint tell me where we're going.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
Paint is something that I use with my hands and do all those tactile things. I really don't like oil because you can't get back into it, or you make a mess. It's not my favourite thing - pencil is more my medium than wet paint.
You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
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