A Quote by William Shakespeare

How sweet the moonlight sleeps upon this bank Here we will sit, and let the sounds of music Creep in our ears; soft stillness, and the night Become the touches of sweet harmony — © William Shakespeare
How sweet the moonlight sleeps upon this bank Here we will sit, and let the sounds of music Creep in our ears; soft stillness, and the night Become the touches of sweet harmony
How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica: look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
It is my soul that calls upon my name; How silver-sweet sound lovers' tongues by night, like softest music to attending ears! -Romeo
Sweet is the rose, but grows upon a brere; Sweet is the juniper, but sharp his bough; Sweet is the eglantine, but stiketh nere; Sweet is the firbloome, but its braunches rough; Sweet is the cypress, but its rynd is tough; Sweet is the nut, but bitter is his pill; Sweet is the broome-flowre, but yet sowre enough; And sweet is moly, but his root is ill.
There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.
How sweet is rest after fatigue! How sweet will heaven be when our journey is ended.
Sweet sleep be with us, one and all! And if upon its stillness fall The visions of a busy brain, We'll have our pleasure o'er again, To warm the heart, to charm the sight, Gay dreams to all! good night, good night.
Sweet is the breath of vernal shower,/ The bee's collected treasure sweet,/ Sweet music's melting fall, but sweeter yet/ The still small voice of gratitude.
Sweet Phosphor, bring the dayWhose conquering rayMay chase these fogs;Sweet Phosphor, bring the day!Sweet Phosphor, bring the day!Light will repayThe wrongs of night;Sweet Phosphor, bring the day!
Well, it's a marvelous night for a Moondance With the stars up above in your eyes... And I'm trying to please to the calling Of your heart-strings that they play soft and low And all the night's magic seems to whisper and hush And all the soft moonlight seems to shine in your blush... One more Moondance with you in the moonlight On a magic night
Tis moonlight, summer moonlight, All soft and still and fair; The solemn hour of midnight Breathes sweet thoughts everywhere, But most where trees are sending Their breezy boughs on high, Or stooping low are lending A shelter from the sky. And there in those wild bowers A lovely form is laid; Green grass and dew-steeped flowers Wave gently round her head.
I remember taking great pride in making Brad Pitt laugh. I always had a soft spot for him. He's such a sweet, sweet man.
How sweet, how passing sweet, is solitude! But grant me still a friend in my retreat, whom I may whisper, solitude is sweet.
I often begin movies with music in my head; it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.
There's night and day, brother, both sweet things; sun, moon, and stars, brother, all sweet things; there's likewise a wind on the heath. Life is very sweet, brother; who would wish to die?
Tis sweet to listen as the night winds creep From leaf to leaf.
We must learn to endure what we cannot avoid. Our life is composed, like the harmony of the world, of contrary things, also of different tones, sweet and harsh, sharp and flat, soft and loud. If a musician liked only one kind, what would he have to say?
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