A Quote by William Shakespeare
I am very proud, revengeful, ambitious, with more offences at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in.
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When people are motivated by principles larger than themselves, you don't have to beat them over the head to get them to act. You simply empower them, you inform them, you give them tools, and they take it upon themselves to act.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
In my experience, a novel is the culmination of various thoughts and impressions collected over time, until something comes along to give them a shape, to turn them into a story.
Be proud of your mistakes. Well, proud may not be exactly the right word, but respect them, treasure them, be kind to them, learn from them. And, more than that, and more important than that, make them. Make mistakes. Make great mistakes, make wonderful mistakes, make glorious mistakes. Better to make a hundred mistakes than to stare at a blank piece of paper too scared to do anything wrong.
Words are both better and worse than thoughts, they express them, and add to them; they give them power for good or evil; they start them on an endless flight, for instruction and comfort and blessing, or for injury and sorrow and ruin.
A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.
I say then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain. This variety of terms, which may seem so unphilosophical, is intended only to express that act of the mind, which renders realities, or what is taken for such, more present to us than fictions, causes them to weigh more in the thought, and gives them a superior influence on the passions and imagination.
When you relate to thoughts obsessively, you are actually feeding them because thoughts need your attention to survive. Once you begin to pay attention to them and categorize them, then they become very powerful. You are feeding them energy because you are not seeing them as simple phenomena. If one tries to quiet them down, that is another way of feeding them.
I am so proud of my family, and I am happy to give them all the limelight they want because heaven knows I got more than I need.
I learned very early on not to speak to my folk from on high, but to get down with them, beside them, showing them how to act rather than telling them. And I suggested that they should do the same with one another: that they didn't need a book of rules to tell them what to do and what not to do, but experience and action.
When I am in that lane, and I hear, 'Caster Semenya from South Africa,' I always know I am doing it for my people. They love and support me, and I will always do them proud; I will always put them first. Without them, I am nothing.
All that we are is the result of what we have thought. If people speak or act with evil thoughts, pain follows them. If people speak or act with pure thoughts, happiness follows them, like a shadow that never leaves them.
The very act of saying anything more nuanced than 'us good, them bad' is under attack, and I'm proud to stand with artists who do.
I don't do much more than organise other people's ideas and insights and thoughts, and sort of harvest them, and inventory them and present them.
I was very influenced by The Magic Mountain. It's a book that had a huge impact on me. I loved that as a shape for a novel: put a bunch of people in a beautiful place, give them all tuberculosis, make them all stay in a fur sleeping bag for several years and see what happens.
Magic is a kind of energy. It is given shape by human thoughts and emotions, by imagination. Thoughts define that shape—and words help to define those thoughts. That’s why wizards usually use words to help them with their spells. Words provide a sort of insulation as the energy of magic burns through a spell caster’s mind.
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