A Quote by William Shakespeare

Set honour in one eye and death i' the other, And I will look on both indifferently. — © William Shakespeare
Set honour in one eye and death i' the other, And I will look on both indifferently.
Set honor in one eye and death in th' other, and I will look on both indifferently. I love then name of honor more than I fear death.
If it be aught toward the general good, Set honor in one eye and death i' th' other, And I will look on both indifferently; For let the gods so speed me as I love The name of honor more than I fear death.
We all have ideas about love and death. We keep a close eye out for them our entire lives, seeking one and avoiding the other, knowing all the while that both are mostly beyond our control. It is a both scary and exciting predicament. In the end, it all depends on how you look at it. One thing is for sure; it is never quite what you expect.
An indiscreet man is more hurtful than an ill-natured one; for as the latter will only attack his enemies, and those he wishes ill to, the other injures indifferently both friends and foes.
As the sun is to the earth, so Honour is to a man. without it, he will not flourish. All else may fail you, but honour is the treasure no one can take from you, the shield no one can penetrate unless you let them. Honour is beautiful and clean. Honour is sacred.
It's easy to look at South Central and say, 'That's a bad place,' and it's easy to look at Beverly Hills and say, 'It will be a cakewalk,' but it just exposed me to a different set of problems. Both sides relate to each other more than they think.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
When you look death in the eye and death blinks first, nothing seems impossible.
Two eyes are given for a reason. One eye to always look at the opportunity. The second eye to always keep looking at the challenges. Because if you don't balance both, it's very easy to get carried away one way or the other. And it's when you balance the two that you find the most sustainable model.
Water indeed will flow indifferently to the east or west, but will it flow indifferently up or down? The tendency of our nature to good is like the tendency of water to flow downwards. There are none but have this tendency to good, just as all water flows downward.
Never try to look into both eyes at the same time. Switch your gaze from one eye to the other. That signals warmth and sincerity.
I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.'
I think there's a certain objectivity that comes from being Canadian. You're partly British and partly American; you have a good bird's-eye view of both countries. So much of the comedy that comes out of Canada is impersonation - it's less 'look at me' than it is 'look at me playing other people.
The aim of the book is to set a limit to thought, or rather - not to thought, but to the expression of thoughts: for in order to be able to set a limit to thought, we should have to find both sides of the limit thinkable (i.e. we should have to be able to think what cannot be thought). It will therefore only be in language that the limit can be set, and what lies on the other side of the limit will simply be nonsense.
He who has calmly reconciled his life to fate, and set proud death beneath his feet, can look fortune in the face, unbending both to good and bad; his countenance unconquered.
One of the Taliban spokesmen said they have thousands of men who look forward to death like Americans look forward to living, which is great because we can arrange that. We'll set them up with death, we'll continue living.
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