A Quote by Willie Nelson

I was influenced a lot by those around me - there was a lot of singing that went on in the cotton fields. — © Willie Nelson
I was influenced a lot by those around me - there was a lot of singing that went on in the cotton fields.
I like myself better when I'm writing regularly. ... I was influenced a lot by those around me-there was a lot of singing that went on in the cotton fields. ... I'm a country songwriter and we write cry-in-your-beer songs. That's what we do. Something that you can slow dance to...I never gave up on country music because I knew what I was doing was not that bad. ... Most of the stuff I've read about me has been true.
I used to work in the cotton fields a lot when I was young. There were a lot of African Americans working out there. A lot of Mexicans - the blacks and the whites and the Mexicans, all out there singing, and it was like an opera in the cotton fields, and I can still hear it in the music that I write and play today.
My mother told me to keep on singing, and that kept me working through the cotton fields. She said God has his hand on you. You'll be singing for the world someday.
I was a little boy singing sad songs, about 9 or 10 years old in the woods. I listened to my voice coming back to me. It was as high as you could go. I dreamed of being famous as a singer when I was on those cotton fields. I wanted to see the world and meet people.
African Americans were responsible for creating a lot of this beautiful and elaborate ironwork; we weren't just working in the cotton fields.
I wish they'd had electric guitars in cotton fields back in the good old days. A whole lot of things would've been straightened out.
I'm more prone to his '70s material, which is what I was around for and watched a lot. I listen to a lot of that stuff. It probably influenced me quite a bit. I'm more drawn to the darker, sadder songs.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
A lot of movies were influenced by 'Logan's Run,' like 'Minority Report'. A lot of films have those elements in them.
I gather from motivation around me - from a lot of personalities who have done well in their respective fields.
Anything you can do to help someone, I just think it's so important because there's a lot of kids that look up athletes of all size and shapes in a lot of different fields, not necessarily in the basketball field. They get involved emotionally with those people because there's something about certain athletes that people rally around.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
In terms of tone and style, I've always been influenced by a lot of different players. I love Nick Drake, Mike Bloomfield and Sonic Boom. I like those three a lot!
Painting is a lot harder than pickin' cotton. Cotton's right there for you to pull off the stalk, but to paint, you got to sweat your mind.
Bowie's 'Hunky Dory' influenced me. 'Ziggy Stardust' influenced Johnny Ramone a lot, especially his guitar parts.
When I started out, it was around the whole 9/11 - Islamophobia was just sort of hitting a second wind. Obviously that informed a lot of my humor, and it influenced a lot of what I was talking about on stage because it was extremely relevant at the time.
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