A Quote by Willy Caballero

Pep Guardiola is like going to university. I spent a year with him at City, learning something new every day. On the playing field, watching videos or at any time, when he approaches you and explains things to you. He has no problem teaching someone at 34 years old, as I was, like someone who is 18. He is a great teacher.
I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.
If you have a 2-year-old who is non-verbal, don't wait until you get a diagnosis at 4. The child needs one-on-one teaching with an effective teacher now. This can be a grandmother or a teacher or someone from the community. Grandmothers are especially great. There are a lot of grannies around. Go to your church for help.
When I started 'DailyGrace,' I was dating a 26-year-old guy I thought was the funniest person in the world. My creation process every day was imagining him watching my videos and wondering, 'Will he laugh at this?' But somehow that's turned into an audience that's mostly 15-year-old girls.
I went to the University of Minnesota to study art. I left the university to come to New York and live in Soho. I got involved with like a small kind of like experimental theater-mime company and we discovered that Étienne Decroux, a great mime, was still teaching in Paris so I went to study with him for several years.
When Pep was at Barcelona, I was so young, 16 or 17 years old. I went to training a lot, and Pep Guardiola told me a lot of things, but I didn't stay in the first team. He is an amazing coach, and if he comes to the Premier League, I think he will win a lot of titles.
The city as a center where, any day in any year, there may be a fresh encounter with a new talent, a keen mind or a gifted specialist-this is essential to the life of a country. To play this role in our lives a city must have a soul-a university, a great art or music school, a cathedral or a great mosque or temple, a great laboratory or scientific center, as well as the libraries and museums and galleries that bring past and present together. A city must be a place where groups of women and men are seeking and developing the highest things they know.
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
You know, and I don't say this, I'll say as someone who lived in Israel for a long time, let me call myself someone who spent six or seven years in Jerusalem, we don't need any more Americans flying over to fix things. They need to fix it. I'm someone who fell in love with the city and fell in love with a place, and has high hopes for everyone there, the good people on both sides.
I've been trying to be a singer ever since I was 2 years old and I'm a whole 27 years old now so it's like, things can happen or they can't. It's a humbling experience every year, every day.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday, and you're 17 years old.
I haven't been manipulated. I did a documentary in prison years ago because I was so f - ed off with those lazy bastards in their bed for 18 hours a day, five dishes a day on a menu to choose from, playing soccer every day, going to the gym, watching movies.
I'm still learning. It's all a learning curve. Every time you sit down, with any given episode of any given show, it is a learning curve. You're learning something new about how to tell a story. But then, I've felt that way about everything I've ever done - television, features or whatever. Directing or writing, it always feels like the first day of school to me.
You can walk as carefully as you want through a mine field; it is still a mine field. But it's also true that if you step up to the plate worrying that you're going to strike out, the odds are that you're going to strike out. Not doing a large ambitious work because you're convinced that Danger Lurks Around Every Corner, the old 'I might be dead this time next year,' is a waste of the Inner Radiance that found you. It's like life insurance. It's betting against yourself. It's blowing out your own flame before someone beats you to it.
I'm living every ten-year-old boy's fantasy. The other day, Chris and I had this big scene where we had to pull out our guns, and I was thinking, 'Here we are in New York City - a place where every actor wants to be - and we are literally playing cops and robbers. How great is that?'
There's something about that 15- to 18-year-old boy, the time of their life that you can really impact them, not only on the field but off the field and still get the competitiveness that I love.
This site uses cookies to ensure you get the best experience. More info...
Got it!