A Quote by Wilma Rudolph

I know black women in Tennessee who have worked all their lives, from the time they were twelve years old to the day they died. These women don't listen to the women's liberation rhetoric because they know that it's nothing but a bunch of white women who had certain life-styles and who want to change those life-styles.
My nana was always a widow as long as I was alive; my grandfather died before I was born. All the women on my street - there were four houses in a row with all old women who lived alone who were widowed. They all had kids, but they were all widowed. My mom didn't put me in preschool; I didn't know that was a thing. I just hung out with these women all day.
We must begin to tell black women's stories because, without them, we cannot tell the story of black men, white men, white women, or anyone else in this country. The story of black women is critical because those who don't know their history are doomed to repeat it.
Of this you may be certain: The Lord especially loves righteous women-women who are not only faithful but filled with faith, women who are optimistic and cheerful because they know who they are and where they are going, women who are striving to live and serve as women of God.
What had really caused the women's movement was the additional years of human life. At the turn of the century women's life expectancy was forty-six; now it was nearly eighty. Our groping sense that we couldn't live all those years in terms of motherhood alone was "the problem that had no name." Realizing that it was not some freakish personal fault but our common problem as women had enabled us to take the first steps to change our lives.
Having Black hair is unique in that Black women change up styles a lot. You can walk down one street block in New York City and see 10 different hairstyles that Black women are wearing: straight curls, short cuts, braids - we really run the gamut.
I think that one of the tasks of feminist women - mainly women of culture - in our time is to seek out those women who were only forgotten because they were women.
What's surprising to me now is that now that I'm talking to a lot of women about this, so many women are doing this. Straight women, lesbian women, bisexual women, poor women, White women, immigrant women. This does not affect one group.
In real life, I knew that fandom was made up of women, and women of color, and women of all ages. But on the publishing side of comics, it was a lot of white, straight men. It was often jarring to me to be the only women at a meeting or at a panel at a comic-con. Fortunately I had mentors who were not blinded by my gender and who said, "Yes, we know you can write these books." That hasn't been the case for everyone. What gives me great hope is that in the eight to nine years since I've started, I've seen tremendous growth.
Thank God for jazz. It gave black women what film and theater gave white women: a well-lighted space where they could play with roles and styles, conduct esthetic experiments and win money and praise.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
Whether there are innately female leadership styles... is not really the right question. It is more important to ask why there has been so little attention paid to women leaders over the years as well as why the styles of leading more often exhibited by women are particularly useful at this critical moment in history.
...black women write differently from white women. This is the most marked difference of all those combinations of black and white, male and female. It's not so much that women write differently from men, but that black women write differently from white women. Black men don't write very differently from white men.
After 40, women forget they are women. There's a certain liberation and we get to know ourselves.
If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.
Also, I learned whether you are gay, bisexual, it doesn't matter, you know... because, at the end of the day, they're both gross. But mostly, I learned that elderly black women are wise beyond their years... but younger black women are prostitutes.
Rich women are not too put upon by their children. You don't have to do all the things for a child that those women who had to stay at home did. My Ann had a French governess who took care of her until she was twelve years old and went off to boarding school.
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