A Quote by Wilson Cruz
If you were to turn on the TV in 1986, '87, you wouldn't see anybody having, I guess, a low-to-middle-income person of color experience. And you definitely wouldn't have a young LGBT person or their story told. The experience of being invisible in our culture has ramifications that I don't think any of us can really understand.
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Any person of any philosophic persuasion who sits on a hot stove will verify without any intellectual argument whatsoever that he is in an undeniably low-quality situation: that the value of his predicament is negative. This low quality is not just a vague, woolly-headed, crypto-religious, metaphysical abstraction. It is an experience. It is not a judgment about an experience. It is not a description of experience. The value itself is an experience. As such it is completely predictable. It is verifiable by anyone who cares to do so.
I think that, in our culture, we find older people to be almost invisible, and it's such a shame. The one thing, the one condition that we all suffer from, and that we all benefit from, is ageing. It starts at zero and we're all going in the same direction, and I always try to see the young person underneath the older person and that's all of us. We all feel the same way inside, and I think that there are so many ways for us to age well and to help our senior population get to the golden years with more dignity more independent and more enjoyment.
I think there are times when human beings open our psychic field: when they're in love, when they're with another person that they resonate with, when they're having a wonderful experience of any kind. We feel the essence of life in a different way that allows us to experience the presence of God as, I would call it, a functioning, physical reality and not just a mental construct or conceptualization.
God is not a person; God is manifestation itself. We think that God is a superhuman person, but God is not a person. He is not a subject. We can never experience God in a subject/object experience. God is what makes a subject/object experience possible. We can never see God or experience God as separate from ourselves. God is a being but there is no division.
I understood it was a poor area when I was young because you're driving through it and you see these low-income homes that I hadn't really seen before. I'd lived in upper-middle-class neighborhoods before we moved to Athens and The Plains. You understand, but you don't really understand the magnitude until you get older.
Because having your story told as a woman, as a person of color, as a lesbian, as a trans person, or as any member of any disenfranchised community, is sadly often still a radical idea. There is so much power in storytelling, and there is enormous power in inclusive storytelling, in inclusive representations.
I really feel concerned about young people within our present culture. Our present culture, we have to change. Change is inevitable and I wasn't raised in our present culture but it has great pressure that as a young person I never had. Material pressure, social pressure, visual pressure, how you look, and I just try to appeal to young people to think for themselves, to be their own person, and to ask questions and also be very attentive to our planet and our environment.
The reward of the young scientist is the emotional th
rill of being the first person in the history of the world to see something or to understand something. Nothing can compare with that experience The reward of the old scientist is the sense of having seen a vague sketch grow into a masterly landscape.
I think we can topple the patriarchy by using our voices to speak out against things that aren't right and that we don't agree with. I think for people who are not people of color or members of the LGBT community, it is being an ally and being an advocate in spaces that people of color or members of the LGBT community can't really get into.
Trans voices are really underrepresented, and trans stories are really underrepresented, and when they are presented, they're often reductive. I was interested in putting a trans person and a trans narrative on stage that didn't fall into cliché, that thought a bit more deeply about the experience of being trans, and how those issues tie into things that we all experience. How we tell the story of our lives, versus what might have actually happened, and how we communicate to our former selves. All of those questions were really interesting to me.
I think the way the country has changed in part because of the presidency of Barack Obama, I think in part because of what we`ve - the violence that we have seen on our cell phones and our TV sets over the last couple of years. I think Black Lives Matter has helped to force these issues. Women like Sabrina Fulton. We`re having a different conversation in this country right now about race and what it means to really understand your experience is and my experience is.
We understand 'Roots,' and that experience was mind-boggling, and it changed the way society viewed race relations. It was incredibly important. With 'Roots,' I was just as proud as anybody else that people of color were getting their stories told.
When I was a teenager, in the '80s, it was 'Dynasty.' It was 'Beverly Hills, 90210.' And those were fantasies. Those weren't reflective of my experience. And I think we all want that; we all want to see ourselves, our story told, something to relate to, to help us and know that we're not freaks, that our experiences aren't odd.
The three greatest people in my life as a young person were white. I'm not a person that really deals in color.
That's how you know you love someone, I guess, when you can't experience anything without wishing the other person were there to see it, too.
Each person comes to have this musical experience, this moment with us, where they get to sink into our world for a little while. It’s this very unhurried world. It’s fairly quiet, it’s contemplative, but it can be quite panoramic. I think people think interesting thoughts at our shows, and they go rather deeply into some personal experience of their own. I’m really proud that our music seems to connect, because it’s not for everybody. But for the people that our music works for, it really gets down pretty deep in there.
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