A Quote by Winnie Holzman

I really learned that, when I got into television, I really learned the power, how deeply it affects people to see themselves on television, to see something that they can relate to, that they feel is like them in some way; people feel validated. Its not a little thing. It really means a lot to people. It actually can change people.
There have been times in my adolescence where I gave up. I was like, 'I'm just never going to be pretty. I'm never going to be like one of those people on the front of magazines.' It always seemed really strange to me that the projection of how people are in advertisements looked nothing like the people who were actually buying them. You know what I mean? I never understood that mismatch, and now I really start to see that the people you see in the media are a lot more like people actually are.
Psychopaths are actually, really, really, really rare in our culture, are people who don't... Or in society, in the world. They're people who don't feel guilt. They're people who don't feel fear. I think that most of us feel those things. There's a kind of... They're almost like superheroes. Not to glorify them, but you know what I mean?
Steve Jobs was not an engineer: He was a brilliant individual with this ability to see around corners, to see things that other people couldn't see. I've learned over the years in the Apple that there are some really talented people who can take the same evidence, the same facts, and look at them and see them in a way that interprets those facts entirely different than most people do.
I don't really want to be compared to Bruce Lee or Jackie Chan, but I really feel honored and really proud that people actually see me as them or similar to them, and because they are my inspiration for what I have become today. I am really honored that people compare me to those people.
I feel like I'm doing something that's worthwhile. I feel like I'm showing something other people haven't shown. I don't get to talk to the people who I photograph, I just go, along, banging away. So I don't really have a relationship with them. A lot of people think it's very important. I don't. It's like love at first sight. I have an impression when I see somebody, and I have an idea of who they are, or what they are.
A lot of people don't see me as a funny character because I don't usually get to play them. I'm usually cast in the more dramatic roles, so it's been a really, really fun time playing her humor and her attitude. She's a complete tomboy, so I did a really intense study on men and how they relate to each other, in the way they walk and hold themselves and position themselves in the hierarchy, just in something as simple as a conversation.
There's a lot of girls out there that can relate to me. They can look at me and see themselves a little bit. There's a lot of girls out there that have a tougher side to them. I just think that people are really grown and attracted to that, and that's why people like to see me fight.
What Hollywood truly wants is for people to be themselves. I think what it's designed for is to kind of turn people into something and just make them saleable. But what it really stands for, what it really loves, are people who are unafraid to be themselves, and as you can see, these are people who are excelling in their careers.
I think that people are really hungry for original content. I think there's a sense of reboots and remakes, and we're lacking in any sense of originality in media. So, I think the people who want something like this which has a graphic novel feel or comic book feel but that is designed and created for the medium of television, I think that is something is very appealing to a lot of people.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
Once you feel that you've learned some skills and you know how to make records, the next thing is, "Do we ever get to make one that people will really like?" Because then we'll have something to do.
I learned that as a director, you're around all these talented people, so you have this window that all these really good ideas can come in to help your movie, so you're crazy to close them. You need to be inspiring people, engaging people. There are lots of people who are really good at their jobs but might not know or feel like they want to come up to people and get them to participate and want to do their best.
Put it this way, people in my position in the UFC, their coaches couldn't tell them to sweep the mats because some people feel like they're better than that. I'm not one of those people. No matter how I am on camera, people who really know me, who know my soul, know I keep that same energy. So ain't nothing change but the change.
It's really sweet when people tweet at me and say I'm their spirit animal or 'I wish she was my best friend,' which is the nicest compliment. For me, it's like, doing television is so personal because you're in people's homes, so the fact that people feel that way means so much to me.
Sometimes people hear that you help somebody or you said something that really resonated with them that they really needed to hear. Sometimes people get motivated to go and do stuff. That makes me feel really good because I feel like I'm affecting people in a good way.
Most people don't relate to and can't generate concern for something they don't encounter personally or feel personally affected by. People have to have the palpable negatives in their lives dissected for them in ways that let them understand the root causes of unhealthy, unhappy conditions in their lives and then be allowed to really see and feel the positive alternatives.
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