A Quote by Winston Smith

If the Party could thrust its hand into the past and say of this or that event, it never happened - that, surely, was more terrifying than mere torture and death. — © Winston Smith
If the Party could thrust its hand into the past and say of this or that event, it never happened - that, surely, was more terrifying than mere torture and death.
There will one day spring from the brain of science a machine or force so fearful in its potentialities, so absolutely terrifying, that even man, the fighter, who will dare torture and death in order to inflict torture and death, will be appalled, and so abandon war forever.
Emphasis should be placed more on what the patient does in the present and will do in the future than on a mere understanding of why some long-past event occurred.
Death is terrifying, but it would be even more terrifying to find out that you are going to live forever and never die.
Events, once happened, lose reality, alter with a glance, a storm, a night. In time, the past never happened. But who could know? Who could know that the past is not as solid as this instant.
You can’t say ‘if this didn’t happen then that would have happened’ because you don’t know everything that might have happened. You might think something’d be good, but for all you know it could have turned out horrible. You can’t say ‘If only I’d…’ because you could be wishing for anything. The point is, you’ll never know. You’ve gone past. So there’s no use thinking about it.
There’s an old Ritadarion saying. You’re never more alive than when you walk hand in hand with death. (Syn)
Love happened. She would have never thought that it could happen so rapidly. Love was something you worked at, and she had no doubt their relationship would take a lot of hard work and dedication. But it had simply happened. No explanation. No cataclysmic event or earth-shattering revelation brought on by some external event. It had simply happened.
Poets say science takes away from the beauty of stars-mere globs of gas atoms. Nothing is "mere". I too see the stars on a desert night, and feel them. But do I see less or more? ...What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little more about it. For far more marvelous is the truth than any artists of the past imagined it.
Nothing changes more constantly than the past; for the past that influences our lives does not consist of what actually happened, but of what men believe happened.
Surely the memory of an event cannot pass for the event itself. Nor can the anticipation. There is something exceptional, unique, about the present event, which the previous, or the coming do not have. There is livingness about it, an actuality; it stands out as if illumined. There is the "stamp of reality" on the actual, which the past and future do not have.
I believed that by fixing it down in words, I could force sense from all that had happened, that effect would follow cause, and the reason for each event come clear to me. But then I returned one day, to find all my careful scribing gone to fragments of vellum lying in a trampled yard with wet snow blowing over them. I sat my horse, looking down at them, and knew that, as it always would, the past had broken free of my effort to define and understand it. History is no more fixed and dead than the future. The past is no further away than the last breath you took.
I never went to school more than six months in my life, but I can say this: that among my earliest recollections, I remember how, when a mere child, I used to get irritated when anybody talked to me in a way I could not understand.
Paradox is an overrated threat. There is...a quality similar to inertia at work. Once an event has occurred, there is an extremely strong tendency for that event to occur. The larger, more significant, or more energetic the event, the more it tends to remain as it originally happened, despite any interference." I frowned. "There's...a law of conservation of history?
We live in such hypersexualised yet totally prudish times. People have this expectation about everyone else's relationship to their own bodies.'Surely you must have shame about your body? Surely what's scariest for you as actor would be to stand in a room naked?' Believe me, I've been in so many more terrifying situations as a performer than that.
The quotes are often poignant or funny (one man before the firing squad requests a bulletproof vest) and often don't register as much more than interesting historical documents from centuries past. But read in aggregate, all that pain piles up. Essentially, Elder has amassed a collection of what people say when they know they are going to die, the final product of what could be seen as psychological torture.
Chronicler picked up his pen, but before he could dip it, Kvothe held up a hand. "Let me say one thing before I start. I've told stories in the past, painted pictures with words, told hard lies and harder truths. Once, I sang colors to a blind man. Seven hours I played, but at the end he said he saw them, green and red and gold. That, I think, was easier than this. Trying to make you understand her with nothing more than words. You have never seen her, never heard her voice. You cannot know.
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