A Quote by Will Sasso

There are very few actors in L.A. who can call their own shots. If you're able to work on something that you actually like working on, you're a very lucky person, and if you're able to keep it going, you're very fortunate.
I'm in a very lucky position. You have to remember that 95 percent of all actors aren't working. I'm actually able to go to France and work. It's a situation I couldn't have dreamt up.
I've just been so lucky. I don't know if you're really able to take advantage of your full potential until you're older. There are a few people who are incredibly gifted and make it when they are very young, but I didn't. With women it takes longer. You just keep working and when you finally get it, it feels very, very nice.
Acting, believe it or not, can get very self-involved! I feel fortunate to have been able to work on things with people who have a very specific point of view and perspective, and who feel like they're doing something very active.
I'm very lucky to be able to work in print and radio. I'm very lucky to be able to work at a time when finance and economics are really important. And the number of people who tell finance and economic stories in a kind of accessible storytelling way, there's much more demand than there is supply.
You work so hard at something to make sure that it's very pure and very genuine and very steadfast to who you are, so creative control for me is a big one. Thankfully, I've been able to retain 98% of it which I never really expected, so I'm very grateful to be able to control what I can.
I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.
I'm always excited about my upcoming shows. I love what I do; I feel very lucky to be able to do what I do, and I never get tired of it. Every time I'm backstage before a show and I feel the murmur of the crowd, it's just incredibly exciting. And I consider myself very fortunate to be able to do this for a job. It's a great life.
My siblings and I were raised to be very hardworking and to find something that we're passionate in, and to be able to turn that into work - I'm lucky to be able to say that I've done that.
[At DuPont,] I was very fortunate that I worked under men who were very much interested in making discoveries and inventions. They were very much interested in what they were doing, and they left me alone. And I was able to experiment on my own, and I found this very stimulating. It appealed to the creative person in me.
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
Well, I think I am a very, very lucky person. I'm very fortunate.
It is great that even before we become enlightened or generate any lam-rim realizations we are able to offer incredible benefit to others. The person who does this is a very fortunate person and should rejoice very often.
I'm very picky about the kind of work that I do, and I'm fortunate to have been able to work with great directors and great actors who've helped me grow as an artist.
I've obviously made a very nice amount of money. I have a very nice lifestyle. I get to do what I love. Very few actors get to do that, and even fewer are lucky enough to work steadily for 24 years.
In 2010, when the Lotus Sutra was made available to me by a private dealer, I was very fortunate to be able to have it. It is very long, 30 feet or something crazy like that. It has some 15,000 very small standard script characters that the artist Zhao Mengfu in the Yuan dynasty made when he was in his 60s.
We're very lucky to be able to go back and reclaim something that was a very special part of all our lives.
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