A Quote by W. P. Kinsella

My main income came from failed movie and TV options. — © W. P. Kinsella
My main income came from failed movie and TV options.
We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.
Before the Netflixs and the Amazons and the Hulus, there was nothing. TV came to a standstill. Movie actors were taking TV parts, and it was just nuts.
The income tax is a twentieth-century socialist experiment that has failed. Before the income tax was imposed on us just 80 years ago, government had no claim to our income. Only sales, excise, and tariff taxes were allowed.
TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.
I failed eating, failed drinking, failed not cutting myself into shreds. Failed friendship. Failed sisterhood and daughterhood. Failed mirrors and scales and phone calls. Good thing I'm stable.
If you're graduating from high school, and you come from a lower income family, you're effectively given two options. One is get a four-year college degree; two is work at a low-wage job, potentially for the rest of your life. We've got to do better on that front. We have to provide more options.
In the States, there's ESPN3, and each country has different options, and other than premiere league football, there tends to be very little global content. And movie and TV rights are pretty broad content.
I don't know a lot of writers, even writers who have been on the bestseller list for a few weeks, or writers who have gotten movie options, who can live on just their writing income. Once you break it down to the years it took to write the book, place it, promote it, and you pay the agent, pay the taxes, the annual income is not enough to live on comfortably. I do not have a starving artist inclination. I'm from the working class. I don't feel creative unless I feel like my house is going to be there and I'm going to be fed. I can't worry about money and write. Maybe some people can.
While I was recording 'Ziltoid,' the movie 'Mars Attacks' came on TV, I think, six times in one week. So I don't know if there's any direct references or anything, but the aesthetics of that movie was definitely around while I was creating the music, so I'd be lying if I said it wasn't part of it.
Oh, I don't think religion has failed. It's man who has failed. Christ hasn't failed. The Gospel hasn't failed. The teachings of God have not failed.
There is something spurious about the very term 'a movie made for TV,' because what you make for TV is a TV program.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
Every Monday night, there was a scary movie on Spanish TV, so my parents used to send me to bed. I remember lying there, listening to the TV, and imagining the movie in my head. And so probably the scariest movies I ever saw in my life were the ones I imagined.
I feel like with 'Hubie,' it was just a matter of the difference between working on a movie versus a TV show. TV shows, it's like a long period of time and you're living there, and with this movie, it was kind of in and out.
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
People sometimes, they just stop because they see this scope movie. They say "oh, this is a real movie, this is not a TV movie."
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