A Quote by Yair Lapid
An old friend of mine, an economist by trade, once explained to me that the statistical definition of 'dilemma' is 49.9% in favor and 50.1% against. If the gap is greater, there is no dilemma, because the answer is clear.
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The essence of humanity's spiritual dilemma is that we evolved genetically to accept one truth and discovered another. Is there a way to erase the dilemma, to resolve the contradictions between the transcendentalist and the empiricist world views?
Identify the moral dilemma driving the novel. the successful novel will haunt a reader because it deals with some ethical or moral dilemma that makes the reader wonder what he or she would do in the protagonist's place.
The Internet has fashioned a new and complicated environment for an age-old dilemma that pits the demands of security against the desire for freedom.
This is our dilemma--either to taste and not to know or to know and not to taste--or, more strictly, to lack one kind of knowledge because we are in an experience or to lack another kind because we are outside it. [. . .] Of this tragic dilemma myth is the partial solution. In the enjoyment of a great myth we come nearest to experiencing as a concrete what can otherwise be understood only as an abstraction.
There's a woman I see who's not my therapist, but she's like an old friend who's a therapist in profession. She lets me talk to her like a therapist once in a while, and she does a great thing. Whenever I have a big dilemma, like this is a big problem in my life, she always says, 'Wow, you're going to have to figure that out.'
You can't say that religion or irreligion will give us a particular answer to the nuclear dilemma.
There's no such thing as holding back. I want to finish as soon as possible. The only time I did it was because he was a friend of mine. It was against Thales Leites. We went until the last round because he's a friend of mine, and I respect him.
Here, I think, lies our real dilemma. Probably we cannot, certainly we shall not, retrace our steps. We are tamed animals (some with kind, some with cruel, masters) and should probably starve if we got out of our cage. That is one horn of the dilemma. But in an increasingly planned society, how much of what I value can survive? That is the other horn.
Wit never appears to greater advantage than when it is successfully exerted to relieve from a dilemma, palliate a deficiency, or cover a retreat.
My mood has changed now. And the sun has gone behind the clouds. I'm in this mood I feel occasionally... this mood where there's a very good friend nearby who I should be phoning. If only I could reach that friend and talk, then everything would be just fine. The dilemma is, of course, I just don't know who that friend is. But in my heart I know my mood is merely me feeling disconnected from my true inner self.
I'm not a betting woman, but I have $50 on Secretariat with an old director friend of mine.
Finn, listen!" Trevanion said, his voice raw."I prayed to see you one more time. It's all I prayed for. Nothing more. And my prayers were answered. Go east, I'll lend them west." "We have a dilemma, then," Finnikin said fiercely. "Because I prayed that you would grow old and hold my children in your arms as you held me. My prayers have not been answered yet, Trevanion. So whose prayer is more worthy? Yours or mine?
We face a dilemma because although everybody is better off than they've ever been at any time in our history, we've also got the biggest gap between the rich and the poor that we've ever had, and we've potentially got a planet which is going to go bust any day.
Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma. This dilemma, destruction or salvation, no fate proposes more inexorably than love. Love is life, if it is not death. Cradle; coffin, too. The same sentiment says yes and no in the human heart. Of all the things God has made, the human heart is the one that sheds most light, and alas! most night.
Reality cannot be photographed or represented. We can only create a new reality. And my dilemma is how to make art out of a reality that most of us would rather ignore. How do you make art when the world is in such a state? My answer has been to make mistakes, but when I can, to choose them. We are all guilt victims choosing mistakes, and as Godard said, the very definition of the human condition is in the mise-en-scéne itself.
I just turned 50. 50's like the new 49 and nothing better, let me tell you.
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