These people walk by a widow deformed by leprosy...walk by children dressed in rags living in the street, and they think, 'Business as usual.' But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening.
We walk, and our religion is shown even to the dullest and most insensitive person in how we walk. Or to put it more accurately, living in this world means choosing, choosing to walk, and the way we choose to walk is infallibly and perfectly expressed in the walk itself. Nothing can disguise it. The walk of an ordinary man and of an enlightened man are as different as that of a snake and a giraffe.
I have always loved to sit in ferry and railroad stations and watch the people, to walk on crowded streets, just walk along among the people, and see their faces, to be among people on street cars and trains and boats.
Eva is a story of repetition. It is a story where our protagonist faces the same situation many times over and determinedly picks himself back up again. It is a story of the will to move forward, even if only a little. It is a story of the resolve to want to be together, even though it is frightening to have contact with others and endure ambiguous loneliness. I would be most gratified if you found enjoyment in these four parts as it takes the same story and metamorphoses it into something different.
A tourist will just walk up to a Natchezian on the street and ask, 'Where does Greg Iles live?' And they'll say, 'Oh, right over there; just go knock on the door.' I've had people just walk into my office, walk into my house like it's a museum just open to the public.
Different people, different backgrounds, different ideals... We walk in different doors at the beginning of the day, and we walk out of different doors at the end of the day. But when it is time to go out on that field, we all go through the same door.
I love to walk around New York. Honestly, that's like the best thing, to walk over to Park Slope and go visit my friend Betty and take her dog out in the park or go walk across the Brooklyn Bridge. I really dig being outside and getting to see everybody in the street.
When I walk out into the street or go to the toilet, I don't think of myself as being black. Of course, other people think of me as black when I walk into a pub. Obviously being black is a part of me.
When you're directed by social media, I think it's very easy to lose a sense of agency. And you can see it when you go to any subway station, you walk down any street in a city, you will see 70-80 percent of people staring into their phones as they walk or stand.
The people that live in my hometown do not walk along the street with smiles on their faces. It is a desperate place, but I got out.
Until we resolve to stand up & walk, we won't find people to show us directions...I am confident that 125 crore Indians are capable to walk and will keep walking always.
I think I tend to try to let a woman walk through a door first, and I walk on the outside on the street. But that's probably because I'm an ancient creature.
Fame, for me, is different. Fame, for me, is not seeing myself on big billboards: it is when I go on a street and people connect to me. If I going to walk on the street, I know I can get 100,000 people following me.
It's funny, our beauty standard has become harder and tougher because we live in a tough age. I don't think anyone wants to walk down the street and feel vulnerable. You want to walk down the street and feel like you're in control.
It's hard when people ask me to walk in a different way than I would naturally. I don't think my walk is particularly elegant if you compare it to other girls, but it fits my personality.
What provides me with the strength and conviction to walk proudly among protesters so angry about the policies I endorse is the support I absorb when I am in my own constituency. Whenever I am at home, I am met with smiling faces, and words of thanks, even hugs.
I think my attitude's different when I'm in the different places. I don't walk around in character. I try not to walk around with the accent, but those little things change you, whether it's your hair, your clothes, your shoes or a different silhouette. People absolutely look at you differently.