A Quote by Yoel Romero

There was a time in my life I wanted that Olympic medal, and all I did was train, train, train and work harder than ever. — © Yoel Romero
There was a time in my life I wanted that Olympic medal, and all I did was train, train, train and work harder than ever.
I was 16. In the middle of the night, I took a taxi to the Detroit train station - or maybe it was the Pontiac train station? - and got on a train to Chicago, then transferred to a train to San Diego where my boyfriend was living at the time.
All you need to do is train, train and train. Keep working hard, harder and harder. That's the only thing you need to do.
Most train to be part of the game. The greatest train to be the game: I am the game. Third-and-9, two-minutes left, that's what I train for. I train for moments everyone runs from. I run for them.
I've always had a chip on my shoulder. It kind of drives me. It's something that allows me to train harder, train longer, work better.
I'd rather play a tune on a horn, but I've always felt that I didn't want to train myself. Because when you get a train, you've got to have an engine and a caboose. I think it's better to train the caboose. You train yourself, you strain yourself.
It's all about nutrition. You can train, train, train all you want but I always say you can't outtrain a bad diet.
After hours, I would train, train, train, six or seven days a week, until 2 or 3 in the morning sometimes.
Some things are easier to parrellelize than others. It's pretty easy to train up 100 models and pick the best one. If you want to train one big model but do it on hundreds of machines, that's a lot harder to parallelize.
It was like the classic scene in the movies where one lover is on the train and one is on the platform and the train starts to pull away, and the lover on the platform begins to trot along and then jog and then sprint and then gives up altogether as the train speeds irrevocably off. Except in this case I was all the parts: I was the lover on the platform, I was the lover on the train. And I was also the train.
When I decided I wanted to fight, one biggest issue was just trying to find a gym where I could train. At that time, a lot of gyms wouldn't allow women to train there at all.
I would like to like to make one thing clear at the very outset and that is, when you speak of a train robbery, this involved no loss of train, merely what I like to call the contents of the train, which were pilfered. We haven't lost a train since 1946, I believe it was - the year of the great snows when we mislaid a small one.
Stay open-minded; stay focused. Train hard and train smart. For me, the older I get, the smarter I have to train also, because the recovery time is longer. Work on everything: become a well-rounded fighter - don't just be good at one thing; be good at everything.
The biggest danger is that actors become entirely too dependent on the idea of training. They think that if they continue to train and train and train, it's going to make them better.
When I go on location, we have a schedule. And when you have a schedule, you know when you're not working, so I train very well on location. But I also train three or four times a week at home, but today I train differently than before.
If you want to build a larger physique that actually makes you look like you lift, you need to train your shoulders, back, triceps, glutes, and legs more frequently. You probably also need to suck it up and train them harder than you ever have before if you want them to grow.
If it is our destiny to be hit by the train, we will be hit by the train. The only thing we can change is how the train turns us into a hamburger.
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