When you break out the acoustic guitar, the words are the focal point unless you're the Jimi Hendrix of the acoustic guitar. So the words have to have meaning.
My whole life, I have listened to people like Neil Young, or Crosby, Stills & Nash, and artists that have made a career out of the mellow, folky, acoustic dynamic.
I'm pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic - oriented guitar record that I've already written most of the material for.
Acoustic ecology is the study of information systems: the shared acoustic environment and how species send and receive messages in this shared acoustic environment. What these messages mean - meaning, what are the consequences and the changes of behavior in any species. And it has as much to do with us individually and biologically as it does with the shaping of cultures and beliefs.
I come from a theater family and a theater background, and I come from a philosophy that you respect the space you occupy when you work and you put everything that you have into something.
I have always wanted to do an acoustic record from the very beginning of my career. I was a coffeeshop artist where everything I did was acoustic.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
When I started writing music on the guitar, it started off very folky because of my limited ability to play. It was slow, soft melodies. But then, as I got better on the guitar, I started exploring different sounds.
The melodies come out so strong that I'm like, "Oh, crap." It's really better if they could both be kind of able to compromise, but the melodies, even more recently, they come out very fully cast and formed.
In English, the sounds and melodies I created were an inspiration to me, and words came to me as I explored the sounds, and from there I was able expand on the meaning.
If you see a credit with just my name on it, that means I write absolutely everything: rhythm guitar parts, guitar melodies, vocal melodies... absolutely everything, really.
I draw things on the paper very freely but believing there is meaning to them already. There is already meaning in the colors, I don't need to be guided by words. I draw them and the meaning comes after. Every time we would start a new sequence we would change everything.
Those which might have some depth are corny enough to be hokey, and almost hokey enough to be folky, since folky is already so hokey anyhow.
I don't think that the spoken words solve everything. Sometimes silence delivers truer feelings while the words can distort the meaning in some situations.
Your questions refer to words; so I have to talk about words. You say:;: The point isn't the word, but its meaning, and you think of the meaning as a thing of the same kind as the word, though also different from the word. Here the word, there the meaning.
Words have been the most difficult thing for me. Melodies have been the easiest for me; I have more than enough melodies to go around.