A Quote by Zawe Ashton

As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room. — © Zawe Ashton
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.
When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
I thought I was depressed because I wasn't a writer/director. I moved into a space where I'm a writer/director, my movie is a hit at Sundance, I have a wonderful, loving boyfriend, and wow, I have financial stability. Why can't I get out of bed still?
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
I'm a writer-director-actor, which I've always kind of enjoyed. I compared it to the Olympic biathlon. "Not only can he cross-country ski, but he's a terrific marksman as well." I want people to say, "You mean that writer performed a tracheotomy?" That's right, I do everything.
I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
Sometimes I wonder why I'm a novelist right now. There is no definite career reason why I became a writer. Something happened, and I became a writer. And now I'm a successful writer.
When I was in the writers' room, all these writers were like, "Ugh, another star that they gave a writing-producing credit to." But then within like an hour, they were like, "You're really a writer." "Yeah, I really am. I'm a writer, and a director, and a producer, and an actor, and a painter, and I do all that stuff in the Lush Life." It was great.
When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed.
I knew that I always wanted to be a filmmaker, an actor, a writer and a director, that was always my plan.
My dad is a successful television producer, director and writer, and my mom's a director and writer. Even when I was young, I wanted to be an actress.
I see myself much more as a writer/director or at least an aspiring writer/director - not necessarily in film.
It's always a good collaboration between the actor and the writer and the director to try stuff out, during the process.
My dad is a successful television producer, director and writer and my mom's a director and writer.
I'm not particularly fond of the hybrid writer-director or actor-director.
The reason why I decided to appear in 'Vincenzo' was because of my love and trust for director Kim Hee-won and writer Park Jae-beom.
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