A Quote by Ze Frank
We have this incredible ability to communicate with each other. I want to play around with it, see what this mass audience is really capable of.
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One of the problems in our lives is that people from different segments of our society just don't communicate with each other, nor do you ever see entertainment where they communicate with each other and fight with each other.
With actors and directors, it's a conversation that you have. You have to learn each other's language and learn how to communicate with each other effectively. It's really nice when you can have that communication on a level where they walk up to you and you can see by the expression on their face what they want. You don't even have to talk, it just like, "Got it!" And, you know what they want before they even ask for it.
Those teams that really trust each other, really communicate with each other, really hold each other accountable and do it in a good way, in a respectful way, and just genuinely enjoy and like each other, I think that can be something that helps you separate when talent is equal.
We wouldn't have anything to prove fighting each other. And I'm pretty sure the fans and the people around the world wouldn't want to see twin brothers that train with each other and have the same tactics fight each other. So I'm not really entertaining the fact that a lot of people have been asking will me and my twin brother fight each other. No.
The more people are reached by mass communication, the less they communicate with each other.
The game is if the orchestra can hear each other, they play better. If they play better and there's a tangible feeling between the orchestra and the audience, if they feel each other, the audience responds and the orchestra feels it.
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
If that were God's plan, it's a bad bargain; I don't want to have to deal with a God like that...My sense is God and I came to an accommodation with each other a couple of decades ago, where he's gotten used to the things that I'm not capable of and I've come to terms with things he's not capable of...and we care very much about each other.
We've always considered our music to be a healing process. It's our 'tool' to work things out with each other and try to communicate with each other and learn things. And it's good for everyone - us and our audience - to get together.
On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!
My strength is to communicate with an audience and to know what jazz singing is capable of.
Forget about sex. Just play first. Dance, sing, read to each other, breathe together - communicate. Don't count on sex to be the door to intimacy. It's the other way around: first develop intimacy skills. Then make love to enjoy them.
I think the New York theater audience is very savvy. Sometimes you get newbies who think they're going to be watching Smash onstage, and sometimes you have people who have been coming to theater for years. It's the combination of those people in an audience that makes for a pretty amazing night - their ability to give each other permission to react and enjoy, in a way that maybe they wouldn't if they weren't sitting next to each other.
Many times - especially when I'm playing an historical character - I want to be really on target with how I create that character and really nuanced with who that human being might be. But I don't want to lose the likeness of me or the depth of my own personality. So meditation and my spirituality has helped me to realize that, yes, I want to get out of the way but I also want the ability to hold on to what the audience likes of what they see of me.
Men often hate each other because they fear each other; they fear each other because they don't know each other; they don't know each other because they can not communicate; they can not communicate because they are separated.
The communication within Sinsaenum is really, really cool. As extreme as the music is, you might not realize how much we respect each other and how much we coach each other and how well we communicate.
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