A Quote by Zella Day

It feels good, it feels like a badge of honor, honestly. Amongst the artists here, in California, that festival is such a big deal. People live and die for Coachella. So to be a part of it on such a big scale is really flattering, and I feel really lucky to be part of the community.
New York feels like sometimes it's not part of the United States. So does L.A. Chicago feels like it's a big city that's part of America.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
So many young people feel powerless. We live in a world where it feels like it's so big and yet so small, and that your contribution really doesn't matter.
Being part of the Workshop is like being part of a really big family. Everyone is so close. Everyone feels the success of others who go on to do well. Whatever happens, I will still be part of the Workshop.
People use us for their weddings, their university convocations - you become a part of culture. That's a big part of people's lives, and it's actually a really big honor for us. All their memories around that process are stored in Paperless Post.
To be part of a community feels really good - to be among people who have similar feelings and want to share thoughts. It's a nice feeling.
You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.
It's a really big deal to have a star on the Walk of Fame; it feels like an incredible achievement.
It's always an honor to work with the Twins Community Fund and be a part of all the good that they do. They help people in so many ways. To be part of not only a baseball team, but being a part of something where you're helping people who need help, that's what life is all about really.
I like sets that feel small. Sets that feel really big are difficult. When you're on a big set it feels like there's constant mis-communication.
I think it's a really big deal to be able to meet people outside the context of something like a conference room or someplace where everything feels like it's formal talk.
Auto racing has been a big part of my life since I was very young. When the car feels right, it's like, 'We've got a big machine.'
I think that it feels really good to be recognized in a sense of being nominated for Grammys and things like that, but part of it is, we spent a lot of time on our own making music: seven or eight years and nobody really paid attention. It feels good. We also learned to not pay too much attention to things like that, and I think it made us stronger.
Making money is awesome and fun as hell, but they're saying, "Well, you're offered a whole lot of money to do this," and it's like, well, I do want the money, but I don't really do that - like headline a big festival or something like that. I could go there and do that, but it isn't really what I do. It feels weird to me.
Oftentimes, it feels like we spend so much of our life waiting to make art, waiting for somebody to let us do something. You don't really have to do that. You can make it all the time. And 99 percent of the time, it's not going to be a big deal on a global scale. But 100 percent of the time, it's going to make you feel amazing.
It really feels special to know that 'Irudhi Suttru' has been selected to be screened at Tokyo Film Festival. I see this honor as an impetus to continue doing my good work.
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