A Quote by Zoe Bell
I stepped away from stunts and into acting right around when stunt people started getting put into motion-capture stuff.
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I was walking around bored one day, and I started filming stuff with my cellphone. There are all these shows where people are trying to do these outrageous stunts, and I thought it would be funny to do all these stunts that aren't outrageous but then act like they are.
Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
You do your own stunts as an actor, and you end up getting hurt. It's not your job. You've got stunt guys. Stunt guys make a lot of money.
For the most part, I do a lot of my own stunts. On 'The Final Destination,' they kept pulling my stunt woman in, and I'd shoo her away. I'm a black belt in tae kwon do, so I was adamant about doing stuff myself.
That one was stunt heavy. 'Monster Trucks' was a lot of stunts. I got to do some insane stunts they should've never let me do.
When I first did 'The Lord of the Rings,' I was acting on the set with the other actors, but then I had to go back and repeat the process on my own to do the physical capture on a motion capture stage.
I'd started acting as a child. But I wanted to see if it was something my true personality was interested in. I stepped away from offers when I took five years off to go to college. I've only really just decided to whole-heartedly embrace acting.
I like being able to do all of my own stunts. I appreciate stunt guys and what they do and, of course, the time and the effort that they put in, but for me, I'm young. You only live once, so to be able to do all your own stunts, train, become a real fighter... I feel like I can hold my own.
I don't do stunts and I don't think many actors do. For an actor to say they do their own stunts I don't think is very respectful of the profession of stunt men and women.
I am a fairly physical guy I stay in shape and do a lot of karate and that kind of stuff. I prefer to do my own stunts if it's possible. I'm not jumping off burning buildings or something, but rolling around and getting knocked down and stuff like that I get a kick out of.
I always wanted to be a stuntman. If acting went well and I was able to take a year out, I might train and get on the stunt register, which gives you qualifications so you can do more of your own stunts.
So there was always a stunt coordinator on those films that was from Stunts Unlimited and I was just one of the young warriors from Stunts Unlimited that got to be a part of it because it was a big show and they needed a lot of guys.
If you want more people to come to the theatre, don't put the prices at £50. You have to make theatre inclusive, and at the moment the prices are exclusive. Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.
Whatever is in motion must be put in motion by another. If that by which it is put in motion be itself put in motion, then this also must needs be put in motion by another, and that by another again. But this cannot go on to infinity, because then there would be no first mover, and, consequently, no other mover; seeing that subsequent movers move only inasmuch as they are put in motion by the first mover; as the staff moves only because it is put in motion by the hand. Therefore it is necessary to arrive at a first mover, put in motion by no other; and this everyone understands to be God.
One of the interesting things about motion capture technology is kind of how it's all put together. The idea is to make it as much a "normal" acting experience as possible and then being able to do all these amazing technical things with it afterwards.
Motion capture is exactly what it says: it's physical moves, whereas performance capture is the entire performance - including your facial performance. If you're doing, say, martial arts for a video game, that is motion capture. This is basically another way of recording an actor's performance: audio, facial and physical.
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