A Quote by Zooey Deschanel
Not that there is anything wrong with confessional songwriting, there are plenty of people that do that I admire. I think it is great, it just isn't how I do things.
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Not that there is anything wrong with confessional songwriting, there are plenty of people that do that I admire. I think it is great; it just isn't how I do things.
I would like to work with Ed Sheeran at some point. I really admire his songwriting, and I just think he has a great voice and great artistry. Who else? On the producer side of things, definitely Diplo: that'd be awesome.
I get told I'm a confessional songwriter, which gets on my tits because I think of negative connotations attached to the word "confessional". I don't like the idea of songwriting being therapy. I don't want to put myself so directly in the foreground.
I admire plenty of people, I admire Daniel Bryan, I admire CM Punk, I admire Antonio Cesaro, Wade Barrett, Sheamus; all the fellows that have been out and earned their spot on this roster.
As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain "I" poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
I don't think I'm saying anything wrong. And that's just how I judge it. I believe it's not so much about the people, that's just my take. I think making it about people is the wrong way to do it. I think it's the systems. The systems are broken; the systems are what need to be fixed. I think there's bad people in every sector of America.
One of the problems with a lot of "confessional" writing is that it starts and stops with the confessional and doesn't really tie the "I" into a "we" at all. I'm still surprised at how mad critics get at that kind of confessional writing.
On tour things go wrong all the time, I mean that's live music, that's what it's all about. I think one of the things I'm learning is that when stuff goes wrong, really brilliant musicians have the ability to turn this into something interesting and unique. I think good people in any sphere of anything know how to deal with problems, how to take it in your stride. We are learning this by touring, by being put in these positions when we need to focus and deal with it.
If you can be a good role model for people, well, great. You try and live your sporting life and the rest of your life as well as you can, and if it's something that people admire, well, fantastic. I don't sit at home and think about it too much, though - there's plenty of other things in my life going on.
There's nothing wrong with commercial art. There's nothing wrong with consumer society. There's nothing wrong with advertising. There's nothing wrong with shopping and spending money and being paid. There's nothing wrong with any of these things. These are things we do. I just think it's important to look at them from a different perspective - to see how bizarre and banal these rituals we partake in are. It's just important to think about them, I think, and to carry on. Life is about retrospection, and I think that goes for every facet of life.
We often judge cities by great public buildings. But we admire great cities because people live there in a beautiful way. You have to think about how each person will live there; you can't just think about abstract ideas.
It is not enough just to identify a problem; there are plenty of people who were very skilled at pointing out what was wrong with the world, but they were not always so adept at working out how these things could be righted.
Where I think Milo [Yiannopoulos] ran into trouble -when word spread that Milo had been invited to be the keynote speaker at Conservative Political Action Conference. I think CPAC, by inviting Milo, was an attempt to reach out to Millennials. I mean, they know. I know plenty of young people that think Milo is great, love Milo, admire Milo, think he's courageous doing what he does.
There are things I admire, for example, about South Korea or Singapore. I admire their history, their development and how intensively they have invested in their people and in technology.
The way the left is reacting to the death of Fidel Castro up against the incontrovertible facts of who he was, you want to talk about a disconnect. In fact, I don't think it is a disconnect. I think the left, the power brokers, the leaders, I think they actually did admire the guy. I think this is what they think Castro's power - I've always said, the people have asked me, how do these actors and people and these leftist politicians, how come they admire people like this? I said, "They envy their power." And I think there may be a lot to that.
I make plenty of mistakes and I'll make plenty more mistakes, too. That's part of the game. You've just got to make sure that the right things overcome the wrong ones.
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