A Quote by Zubin Mehta

If North American musicians would only know how uncomfortable life is for European musicians. — © Zubin Mehta
If North American musicians would only know how uncomfortable life is for European musicians.
The place that I found where European musicians and American musicians come together is that odd middle world which is called uncertainty.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
The availability of downloads is fantastic, but you don't know which musicians are playing on the songs anymore. It's kind of making musicians faceless, you don't get musical solos on records anymore. You know who the singer is but it's the poor old musicians who suffer.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
To all musicians - forget gender - to all musicians, it's about - do what makes you happy. Just go for it, you know?
Orchestral musicians have a different approach than we do, and when I say 'we,' I mean musicians who don't know what they are doing.
I think musicians are perfect at knowing how to get the best out of other musicians. I can really relate to that communion.
I can't do too much musical movement with a lot of MC's, because they don't know how to follow me. But with Souls of Mischief, I could go anywhere because they are musicians - they rap as musicians, and they play instruments and produce, so they get that.
There actually had been a tradition within English music of the '60s of people looking eastwards, maybe in quite a naïve way, but nonetheless, you had musicians like George Harrison or Bryan Jones recording the musicians of Joujouka in North Africa.
I just felt like women love musicians, so I thought that we should become musicians. It'll help my dating life.
I always tell people that, just to be a bad jazz musician, you have to be better than most musicians. The worst jazz musicians are normally better than most musicians, because you have to know so much.
I was afraid the other musicians might want to present themselves too much, though I see in the coverage I've received of the album that the musicians got wonderful reviews for their contributions and abilities. I think the four musicians played freely within my limits.
They [the teachers at European conservatories] taught us because they wanted to pass the knowledge on and educate young musicians. It was not because they had to teach because they failed as musicians. There is a huge difference in the reasons why someone is teaching and what they can offer and what they cannot offer.
Musicians know all about unemployment. You're unemployed a lot, and I think there's a great deal of empathy between musicians and people who are out of work.
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