Top 259 Quotes & Sayings by Famous Illustrators - Page 5

Explore popular quotes by famous illustrators.
I have plenty of enemies... among artists who resent my earning a living. They think I should go off and starve while painting something 'significant.
Faeries are not fantasy, but a connection to reality. Faeries are irrational, poetic, absurd, and very, very wise. Faeries say there is nonsense in dogma, and sense in nonsense. Faeries express themselves with high seriousness and low humour. Faeries are resistant to all definitions.
When I was young I drew constantly in my sketchbooks to learn to see things. My first teacher in school, Gilbert Stone, taught me that you have to see things as they are first. Then you can distort, exaggerate, or re-create the world. I sketch in a small, unobtrusive sketchbook or on any paper at hand. I write on canary yellow tablets or any scrap available. I'm constantly doodling, even while editing my kids' homework, much to their chagrin!
As the Little House settled down on her new foundation, she smiled happily. Once again she could watch the sun and moon and stars. Once again she could watch Spring and Summer and Fall and Winter come and go. Once again she was lived in and taken care of. Never again would she be curious about the city... Never again would she want to live there... The stars twinkled above her... A new moon was coming up... It was Spring... And all was quiet and peaceful in the country.
There is nobody who is good or bad, it's just not like that. They all are complex individuals. They all see the world in their own way that makes complete sense to them. Nobody goes around feeling that they're evil - they think that they're doing the right thing. And so that seems to have something really important, big, and deep to say about human beings.
I grew up as this little Catholic girl who just wanted to make beautiful things. I expressed myself with paint.
I love being convincing. I love when a gesture is convincing and I love doing research for a picture. If you're telling a story you need a background. Just like a novelist needs background information to make a story interesting, I think an artist needs it for a picture too.
I was always nervous, always scared. That's stayed with me my whole life. I think it's all our genes. We're all stuck with ourselves. I wish I were calm. Never get scared, always calm, but that's not me. I panic easily.
For me drawing is an attempt to understand what I feel about the world I live in. — © Brian Froud
For me drawing is an attempt to understand what I feel about the world I live in.
I've tried to use the recognition as validation that I'm doing the kind of work that people are interested in and to feel that my work is a contribution.
Violence is never the right answer, unless used against heathens and monsters.
I used to pick up lettering jobs when I was first starting in the business like in between if I couldn't get other work.
Paint your picture by means of the lights. Lights define texture and color - shadows define form. — © Howard Pyle
Paint your picture by means of the lights. Lights define texture and color - shadows define form.
For ages past the Genius of Literature and the Genius of Art have walked together hand in hand. For the Goddess of letters is blind, and only she of Art can lend her sight.
The 'Cercle et Carré' group owes its existence to my encounter with the Uruguayan painter Torrès-Gracia in 1929... However difficult our relationship, his obstinacy matching my patience, this unholy team of fire and water was bound to produce something. Towards the end of the year, after consulting sundry artists, including Arp, Mondrian, and Van Doesburg, we drew up the program for a new group and launched a magazine which was be called 'Cercle et Carré'.
African American writers and artists, by the very nature of what they do, will actually enhance or bring together people in a way that might be very, very healthy.
I'm interested in the parallel narrative of our fantasy lives. How the moment of 'now' that is palpably real, is surrounded by our memories, our dreams and hopes, the stories and connections that our brains make as we navigate a universe of fantasy, or unreality, or surreality. I'm keen to explore this very human experience, how our minds create our own realities, a blend of fact and interpretation of fact.
The student learns rules but all the rules in the world never make a picture.
The filmmakers I really love are the ones that let me look through their eyes for a while. They have an aesthetic and social point of view.
This site uses cookies to ensure you get the best experience. More info...
Got it!