A Quote by A. A. Gill
The French are never happy coming to London; this is an ancient and comforting enmity.
Related Quotes
But Pride always means enmity -- it is enmity. And not only enmity between man and man, but enmity to God.
There was never a choice to sing in English or French, that's the thing. We started a band and sang right away in English. You reproduce the thing you like, and most of the bands we liked were coming from England or the U.S. We also came to cherish the fact that there was no one in France singing in English -we were so happy Phoenix to be the first. Even if we are traitors to France, our country, which I'll never understand, because we talk about things that are very French.
Between certainty and the real, an ancient enmity.
A lot of London's image never was. There never was a Dickensian London, or a Shakespearean London, or a swinging London.
I just feel at Paris, I will have more chances compared to Madrid. I'm French and I choose a French team. People must be happy to keep a French player in the league.
Most of us think of pride as self-centeredness, conceit, boastfulness, arrogance, or haughtiness. All of these are elements of the sin, but the heart, or core, is still missing. The central feature of pride is enmity - enmity toward God and enmity toward our fellowmen.
Somewhere there is an ancient enmity between our daily life and the great work. Help me in saying it, to understand it.
The Lord spoke to me and said, He is coming as the Ancient of Days and because He is the Ancient of Days there is an ancient key that He carries. And in the carrying of this key you have seen the enemy take his place between you and the promise at this level.
Madrid is not as big as London, but it is true when you are coming from a big city like Madrid, nothing is going to surprise you, and I am very happy to move to a city like London. It is a big city, and you can do everything you want with the respect that the English people always have.
I'm homesick everywhere I go, but England has a negative effect on my spirit to a profound degree. That trip from Heathrow into London is worse than the flight over there. It's just so grey, and I'm not a pub person, and the traffic in London gives me a heart attack. It's not a comforting place, on any level, to me.
Opposition is not necessarily enmity; it is merely misused and made an occasion for enmity.
My film is in French. It's not something folkloric. It's who we are. There's this tension about immigrants coming in. Will they learn French? Will they adapt? In this film, I'm on the reverse side because Monsieur Lazhar comes from a society where French is also the second language.
When we arrived in London, my sadness at leaving Paris was turned into despair. After my long stay in the French capital, huge, ponderous, massive London seemed to me as ugly a thing as man could contrive to make.
French people are never happy with what they have. They're always complaining. They're happy when they're complaining.
In London I have been by turns poor and rich, hopeful and despondent, successful and down and out, utterly miserable and ecstatically, dizzily happy. I belong to London as each of us can belong to only one place on this earth. And, in the same way, London belongs to me.
When you move around a lot, there are little bits of you from everywhere. I mean, my father's French, and I speak French, and there's a kind of struggle in me that says, 'I'd like to be French.' But I've never been fully part of that culture, that role.
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