A Quote by A. A. Gill

Other people's traditions look charming and decorative and exotic. They're nice places to visit on holiday, but you wouldn't want to live with one. — © A. A. Gill
Other people's traditions look charming and decorative and exotic. They're nice places to visit on holiday, but you wouldn't want to live with one.
You live overseas, you see these exotic places and you want to know about them. But, weirdly, it also made me homesick for all these very prosaic places in America.
Fans talk to me about how 'Country Christmas' has become a holiday tradition for them and that they all watch to start their holiday season. To be a part of people's holiday traditions is a real joy.
We live in a globalising world. That means that all of us, consciously or not, depend on each other. Whatever we do or refrain from doing affects the lives of people who live in places we'll never visit.
A lot of people say when you get a short life span you want to go out and do all of this crazy stuff like go bungee jumping and travel to exotic places. But you just want to live.
New York and LA are both great places to visit, but I wouldn't want to live in either of them now. I find New York extremely claustrophobic and dirty. LA is quite a nice place. But there's no hustle and bustle, no street life.
The moon's a nice place to visit, but you wouldn't want to live there.
Humanity's a nice place to visit, but you wouldn't want to live there.
Great,' I said. 'Visit exotic Australia. Get bitten by an exotic snake. Die exotically.
I feel like the places where I like to live, or study, or visit are places where people's differences are celebrated rather than just tolerated.
God, you Jews are truly exotic." Exotic? She should only know the Greenblatts. Or Mr. and Mrs. Milton Sharpstein, my father's friends. Or for that matter, my cousin Tovah. Exotic? I mean, they're nice, but hardly exotic with their endless bickering over the best way to combat indigestion or how far back to sit from the television set.
I hate giving away tricks, you have to create an impression and not an image. You want audiences to look at certain places and not look at other places. And when you've got the help of modern-day abilities with technology, it's a much more natural look.
Factory-farm lobbyists are so powerful and so well funded and they do everything in their power to hide the truth about farming. They keep the farms and slaughterhouses in places that most people never visit; they execute huge marketing campaigns in an effort to make animal production look like a happy, nice, benign institution.
With live-action I think we'd have lost the universal appeal of the Persepolis story. With live-action, it would have turned into a story of 'the Other' - people living in a distant land who don't look like us. It might have been exotic, but also a "Third-World" story.
People generally complain that they're overburdened by responsibilities, forgetting that they chose to have those responsibilities. No one makes you work like a dog in order to live in a nice house, put your kids in nice schools, drive a smart car and go on exotic foreign holidays. It's up to you.
Through his long, productive career, Paul Theroux has mixed nonfiction books about exotic travel with novels set in exotic places. Africa, Singapore, Hong Kong, Honduras - he lives in and writes about places most of us never see.
I told the truth about the Miami life. It's a nice place to visit, but you don't want to live here. I lived through two major riots and three Category 5 hurricanes, I don't know if a lot of people could say that.
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