A Quote by A. A. Gill
Celebrity is a national drama whose characters' parts and plots are written by the tabloids, gossip columnists, websites and interactive buttons. The famous don't actually have to turn up to their own lives at all.
Related Quotes
Buy tabloids. Celebrity gossip is engrossing. Celebrity cellulite can make you forget turbulence.
In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.
I'm on a strict gossip diet. No gossip websites, no gossip magazines. Otherwise, I find it paralyzing to exist.
Supermarket tabloids and celebrity gossip shows are not just innocently shallow entertainment, but a fundamental part of a much larger movement that involves apathy, greed and hierarchy.
This whole celebrity racket, it's not really my bag. I don't really do that stuff, and I am not looking to get famous myself. I would love it if my characters get famous, my work was well known and appreciated. But I'm an actor, not a spokes model or a celebrity or whatever that is. I don't know how to be that.
I always like to think of music as if you were to turn the picture off, actually. Just by listening to the piece of music, there's a story there and a connection to the characters and the plots and all of that.
I daydream about things I want to happen, but none of it is more complicated, most of the time, than just really hoping that the good parts and the well-written parts are the ones that turn up on my doorstep.
Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.
My muse is an ungrateful harlot who’s abandoned me to actually come up with my own plots.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
All the characters and plots were predetermined. Games make bad plots.
It's really easy to avoid the tabloids. You just live your life and don't hang out with famous people who are in the tabloids. Don't do anything controversial and be a normal person. Have friends. And get a job and keep working.
Gossip columnists are diseases, like 'flu. Everyone is subject to them.
As someone who is non-binary gender identifying, I feel a particular responsibility to portray members of my community on stage and on screen, not only as fully fleshed-out characters who are integral to the plot, but as characters whose gender identity is just one of many parts that make up the whole person.
I know I have this level of celebrity, of fame, international, national, whatever you want to call it, but it's a pretty surreal thing to think sometimes that you're in the middle of another famous person's life and you think to yourself, 'How the hell did I get famous? What is this some weird club that we're in?'
People who are well-known, famous people, I think, make very poor characters for fiction. They make good characters for gossip columns. But not for fiction.
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