A Quote by A. A. Gill

My father was a film-maker. He always said he wanted to go like Humphrey Jennings, the legendary director who stepped backwards over a cliff while framing a better shot.
I love Humphrey Jennings. People ask me who my favorite documentary maker is, and he's certainly in the top three.
While I had often said that I wanted to die in bed, what I really meant was that in my old age I wanted to be stepped on by an elephant while making love.
Howard Hawks said he'd like to put me in a film with Cary Grant or Humphrey Bogart. I thought, "Cary Grant-terrific! Humphrey Bogart-yucch."
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
It's tough to know who's better in cliff diving. Like, you see a guy diving off a cliff and you go, Oh, man, a guy diving off a cliff! And then another guy'd dive- Oh, there's another guy diving off a cliff there. But you can't tell who's better, y'know? Like, uh- if you survive at all, hey, you're a great- you're a great cliff diver there. There's only two classifications in cliffdiving. There's, uh- 'Grand Champion' and then, uh- 'Stuff On a Rock.' Very hard to make a comeback in that sport, I'll tell you that.
As a kid, I wanted to be an astronaut. And my own passion was that I wanted to be a film director. I realized that being an astronaut was not going to be an option, so I said, "Well, I'm going to be a director and do films in space."
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.
I wanted the past to go away, I wanted to leave it, like another country; I wanted my life to close, and open like a hinge, like a wing, like the part of the song where it falls down over the rocks: an explosion, a discovery; I wanted to hurry into the work of my life; I wanted to know, whoever I was, I was alive for a little while.
I think young generation is always better than last generation. No matter you like it or don't like it. My father said, 'Jack, I'm so good, you'll never be' - but I'm better than him. My father is better than my grandfather. My children will be better than us.
I always wanted to go into film. I love film. I loved growing up in the theatre, but I always wanted to do film all along. But, I still pursue music separately.
I've always been asked the question of, 'Do you feel like it's getting better over the years for Asian representation in Hollywood?' and I have always said, 'Well, it's better than it has been, but we have a long way to go.'
One of the young production assistants (on 'Terminator: Salvation') stepped over to my chair and said, 'Mr. Ironside, are you any relation to the Ironside who was in 'Top Gun'?' And I said, 'I am, yes.' And she grinned and said, 'I knew it! Talent must run in your family!' And she walked away. And all of the producers and directors kind of looked at me uncertainly, and I said, 'What are you guys so uncomfortable for? That's an incredible compliment. I do look like the father of that guy, for Christ's sake!'
My father always wanted to be 'Col-bear.' He lived in the same town as his father, and his father didn't like the idea of the name with the French pronunciation. So my father said to us, 'Do what you want. You're not going to offend anybody.' And he was dead long before I made my decision.
I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
Any artiste would die to be a part of a film like 'Gandhi My Father.' Director Feroz Abbas Khan had a very clear vision about what he wanted to make.
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