A Quote by A. C. Benson
It is often wonderful how putting down on paper a clear statement of a case helps one to see, not perhaps the way out, but the way in.
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I love the way in which I make up dances. It's a complicated way and the product is usually clear. Clear and simple. I don't need everybody to know that there are all of these fabulous things going on. If you CAN see it, that's wonderful.
There are literally endless options and possibilities, and often no clear or obvious path in how to make that choice, and nobody to tell you to go this way or that. But somehow, it works itself out if you trust in the process, which is often easier said than done.
All people are meant to be creative in a certain way. What way? Perhaps I was cut out to be a wonderful housewife, with a marvelous sense of cooking, being with my friends, running a perfect house. But I am not ambitious towards anything.
Looking out of my window this lovely spring morning I see an azalea in full bloom. No, no! I do not see that; though that is the only way I can describe what I see. That is a proposition, a sentence, a fact; but what I perceive is not proposition, sentence, fact, but only an image which I make intelligible in part by means of a statement of fact. This statement is abstract; but what I see is concrete.
I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
My sisters and my mum taught me how to be a woman: the way they carry themselves, the way they talk to people, the way they know how to put their foot down. They're not having any nonsense from no one. I can see traces of that in me.
Simple and more frequent dates allow both men and women to ‘shop around’ in a way that allows extensive evaluation of the prospects. The old-fashioned date was a wonderful way to get acquainted with a member of the opposite sex. It encouraged conversation. It allowed you to see how you treat others and how you are treated in a one-on-one situation. It gave opportunities to learn how to initiate and sustain a mature relationship. None of that happens in hanging out
When an English man speaks well, for example now, and this is another way of putting us down, they say he's "eloquent" you see. "Oh, eloquent chap they are!" An Irish person speak well, they say, "Ah, you have the gift of the gab." "Ah, you kissed the blarney stone." You see, all of this putting us down.
Most athletes get intimidated once they see how many fans are out there, but it almost calms me down in a way because I think of it as a fun way to show off what I've been working on.
Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention.The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.
My aim is to put down on paper what I see and what I feel in the best and simplest way.
Perhaps, like the way these leaves spread out and the way they curl in many directions and how they have many features, I think that's how my road has been.
The 'how' has a great effect on what we see. To say that 'what we see' is more important than 'how we see it' is to think that 'how' has been settled and fixed. When you realize this is not the case, you realize that 'how' often affects 'what' we see.
Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?
And the best way to know who we are is often to find out how others see us.
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