A Quote by A. D. Coleman
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.
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The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
I just picked up a camera without any kind of ambition to be good or bad. And especially without any ambition to make a living... My whole freedom working in photography comes because I say to myself, Let's see what is going on in this world. Let's find out. How do these people look?
Americans! They want to go 600 miles an hour, and they don't know how to walk! Look at them in the street. Bent over. Coughing! Young men with gray faces! Why can't they look at the animals? Look at a cat. Look at any animal. The only animal that doesn't hold its stomach in is the pig.
Wearing a real corset doesn't make you look thin! It just makes you look like you're going to pass out! Also it doesn't actually shape your body in any positive way.
I have been accused of having people design my image, tell me what to say in interviews, design my clothes, the way I look and talk, and, of course, my music. It's true I do work with people, but not to accomplish anything bad: just the basics that any person does in this business and with this opportunity to live out my dreams.
I rebelled by not getting straight A's and not following the path that my elder sister did. She was valedictorian and is very exemplary in her way. I look a lot like her, so I just had to do the opposite. Not that I got bad grades, but I was all about performance and just finding any way that I could to be involved in any kind of production.
What is important to me, is to make a girl look better. To really make the most of all her womanly wiles. It's all about accentuating a waist, perking up a bust line, rounding out hips; things that just make you look in the mirror and say, "I look awesome."
Playing with guns you revert to a little boy sometimes. But they're not great things to play with, so it's just making them look real. When it comes to shooting guns or using any prop, you've got to make it look like you know what you're doing with them. It's called acting.
For every act of violence and messiness there are a million acts of kindness and goodness. It just depends where you look. And when I look around at virtually anyone or anything on the planet, I can see another face of intention - beauty.
If you look at any institution in history - look at the Roman Empire - anything in history, and what it looks like when it's peaking. Look at Apple, and how can you say it's not peaking? ... The thing is, it may take another year or two before it starts to decline, but it has to - everything does.
I think the trick is, how do you spend time doing it but make it look like you haven't spent time doing it? Over the years you look at women like Lauren Hutton and everyone says: 'She just pulled her hair back and ran out of the door.' I've been in fittings with Lauren and she definitely thinks about it. She just knows how to make it look easy.
My biggest competition is always myself. I mean no disrespect, but I do not look at any of the guys as being my competition for the simple reason that I can't control how they're going to look. I can only control how I look.
This idea fascinates me. The idea that a few seconds of watching a photographer in action can tell you his/her status in the medium. And it's true. If you watch a photographer of merit working an event he/she does not look like an amateur.
I like having to figure out how to pull things off, how to sell it, how to make it look real, but not just real, make it look better.
The way I need to look, it's a very personal thing. When I started experimenting, it was to make myself feel happy, to look in the mirror and be satisfied. I never did drag or anything like that. It was always that I wanted to be pretty, to look beautiful, as a girl would want to.
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