A Quote by A. E. Waite

The Empress has been connected with the ideas of universal fecundity and in a general sense with activity. — © A. E. Waite
The Empress has been connected with the ideas of universal fecundity and in a general sense with activity.
Wherefore the brain must be looked upon as the universal and general sensory and at the same time as the universal and general motory organ of the body and finally as the universal and general laboratory of the animal spirits and the blood or of the essential juices of life.
Only when men are connected to large, universal goals are they really happy-and one result of their happiness is a rush of creative activity.
The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
The activity of art is... as important as the activity of language itself, and as universal.
I have tried at times to place humans in perspective against the vastness of universal time and space. I have been concerned with where we, as a race, may be going and what may be our purpose in the universal scheme — if we have a purpose. In general, I believe we do, and perhaps an important one.
I've been arrested a few times, but I've never been in real trouble. Because what I do is art and even if it is illegal, Art is a universal activity, and artists are generally respected.
The disruptive powers of excessive national fecundity may have played a greater part in bursting the bonds of convention than either the power of ideas or the errors of autocracy.
It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.
We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.
There're been sort of a sea change in my work in general, in that the more personal, the universal it's become.
We're producing spaces that accommodate human activity. And what I'm interested in is not the styling of that, but the relationship of that as it enhances that activity. And that directly connects to ideas of city-making.
In music in general, you're always getting a lot of information, buts it's most important to have honest communication. It's always important to understand that we can do so much individually if we connect with one another and have honest conversations. As scary as it is, it can be very liberating. Staying connected to the people you love and staying connected to the things that really matter has been my biggest lesson.
In-depth studies have an influence on general ideas, whereas theories, in turn, in order to maintain themselves, push their spectators to search for new evidence. The mind's activity that is maintained by the debates about these works, is probably the source of the greatest joys given to man to experience on Earth.
I maintain also that substances, whether material or immaterial, cannot be conceived in their bare essence without any activity, activity being of the essence of substance in general.
The ability of nonintelligent people to understand the most complicated mechanisms and to use them has always been to me a cause of astonishment: their inability to understand simple questions is even more astonishing. The general acceptance of simple ideas is difficult and rare, and yet it is only when simple, fundamental, ideas have been accepted that further progress becomes possible on a higher level.
To generate creative ideas, it's important to start from an unusual place. But to explain those ideas, they have to be connected to something familiar.
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