A Quote by A. J. Bowen

To be fair, I don't think it's a plague to say I have the misfortune of making movies for a living. — © A. J. Bowen
To be fair, I don't think it's a plague to say I have the misfortune of making movies for a living.
3D is quite a lot more advanced in animated movies; for live-action movies we're just taking baby steps, we're just in the beginning. So when I think of doing that I was very excited. It didn't go as far as I think it should, I'm still a novice, but I think it's fair to say it's a new cinematic medium, experience.
Today we're focused on small acquisitions to add technology where necessary. I think it's fair to say we're not out looking for a large one, but I think it's also very fair to say that as a public company you can never say never.
I believe in making movies very inexpensively; I think that way too much money is spent on making movies. Enough movies are being made, but not enough experimental ones.
I think making small movies reminds you of the effort. When you make big movies, the effort is to fight for freedom. When you make small movies, the effort is making the day, making the budget, and it's great, too.
I'm definitely not making movies solely for myself. That's something that I hear people say in the past, all they care about is that they like what they're making. They don't care what other people think. I think that's a disservice to the project and to the people that are working on it.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I aspire to eventually be making my living by making movies.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
I think I'll always be making movies that intend to say something new.
I think making a film is as much knowing what you don't like as what you do like, and avoiding the things that you don't like like the plague and making sure that they never appear onscreen in any shape or form.
I mean, I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time, then you're considered a failure. But it's like, 'Well, are you making movies to be successful? Or are you making movies to learn something?'
My first summer at a repertory theater, I was making $20 a week. I was making a living, as far as I was concerned, and I was doing theater. And next season, I made $40 a week. But I don't think anyone in my family would have considered that making a living.
A man is the sum of his misfortunes. One day you'd think misfortune would get tired but then time is your misfortune
If life were fair, Dan Quayle would be making a living asking 'Do you want fries with that?'
I have a 10 year old at home, and she is always saying, 'That's not fair.' When she says that, I say, "Honey, you're cute; that's not fair. Your family is pretty well off; that's not fair. You were born in America; that's not fair. Honey, you had better pray to God that things don't start getting fair for you.
I don't know if it's fair to say that it's a bad time for movies. It seems to me that throughout the entire history of filmmaking, every year there have been about two really wonderful movies, about 10 others that are pretty good, and a whole pile of garbage.
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