A Quote by A. J. Green

My dad? He worked at a steel plant over in Charleston. Night shift. Nine at night to nine in the morning, no joke. — © A. J. Green
My dad? He worked at a steel plant over in Charleston. Night shift. Nine at night to nine in the morning, no joke.
Ninety-nine hundredths or, possibly, nine hundred and ninety-nine thousandths of our activity is purely automatic and habitual, from our rising in the morning to our lying down each night.
One thing that I tell people all the time is, 'I'm not going to answer a call from you after nine o'clock at night or before nine o'clock in the morning unless it's an emergency.'
Sometimes it's a struggle to make everything work. I usually work on music from nine in the morning until three in the afternoon. Then there are the family activities. Then I work again at night - from nine to as late as two.
I really try to ask myself the question of nine. Will this matter in nine minutes, nine hours, nine days, nine weeks, nine months or nine years? If it will truly matter for all of those, pay attention to it.
The technology involved in making anything invisible is so infinitely complex that nine hundred and ninety-nine billion, nine hundred and ninety-nine million, nine hundred and ninety-nine thousand, nine hundred and ninety-nine times out of a trillion it is much simpler and more effective just to take the thing away and do without it.
All the stars all the galaxies are in the same spot night after night after night. And Planet Nine, when we see it, will slowly move across the sky.
If you stare at a wall from four in the morning till nine at night and you do that for a week, you are getting pretty close to nothingness.
If you stare at a wall from four in the morning till nine at night, and you do that for a week, you are getting pretty close to nothingness.
I would teach from nine to four, sleep an hour, and write from six until midnight, night after night.
It's of being alone with my dad. He drove a truck for a living. But he had a few free hours in the middle of the day, between the morning shift and the late afternoon shift. Because I was the youngest of nine, I could have him all to myself when they were at school. We'd watch movies at home, or go to the movies, and he introduced me to the guys who still inspire me today.
Just nine lucky soldiers had come through the night, half of them wounded and barely alive. Just nine out of twenty was headed for home, with eleven stories to tell.
I worked night security for Estee Lauder. It was horrible. I worked from midnight till 8 in the morning. I did that just so I could sleep during the day, then go into Manhattan to train with Renzo at night. I would train, then go work all night in a guard booth.
I went to work at seven in the morning. Around noon time we got the watery soup. And we worked until seven or eight or nine at night, sometimes later. And then I walked back home - there was no public transportation - into that shared room. And if there was food we would prepare an evening meal depending on what was available. And then probably go to bed because it was cold most the time. And then start the day all over again, six or seven days a week.
I literally have meetings at eight o'clock in the morning, and I finish at nine o'clock at night. It sounds pathetic, but I don't even have time to go shopping.
I love Michelle Williams. I think she's extraordinary. I was such a fan of 'Blue Valentine,' and I heard stories about how Ryan Gosling and Michelle Williams worked on that. They lived together for a period of time as rehearsal. From nine in the morning to five at night, living in a space together. The work is really awe-inspiring.
Sleep is critical to me... at least eight or nine hours a night. I start to slow down my body and my mind at least 30 minutes before I get into bed. I don't watch any disturbing or invigorating TV at night. I also get energy from meditation practice and from eating healthy fresh food, only one cup of espresso in the morning, and not drinking too much.
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