A Quote by A. L. Rowse
History is a great deal closer to poetry than is generally realised: in truth, I think, it is in essence the same.
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I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.
I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written
What fiction does is bring you closer to the essence of truth, as opposed to simply giving you the truth. And there's no knowing truth. Truth seekers are all charlatans. You can only feel the truth of something.
I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.
History gives you insight of the same quality of truth as poetry or philosophy or a novel.
Those Christians who are very strict in their observances, think a good deal more of the Sabbath than of man, a great deal more of the Bible than of the truth, and ten times more of their creed than of the will of God. Of course, if they heard anyone utter such words as I have just written, they would say he was and atheist.
History has its truth, and so has legend. Legendary truth is of another nature than historical truth. Legendary truth is invention whose result is reality. Furthermore, history and legend have the same goal; to depict eternal man beneath momentary man.
Women do not have as great a need for poetry because their own essence is poetry.
Poetry is nearer to vital truth than history.
If all people learned to think in the non Aristotelian manner of quantum mechanics, the world would change so radically that most of what we call "stupidity" and even a great deal of what we consider "insanity" might disappear, and the "intractable" problems of war, poverty and injustice would suddenly seem a great deal closer to solution.
Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.
What I hate about kitchen-sink dramas is [this idea] that the set is real, therefore you're going to be seeing truth. You have to earn truth. Truth can't be a part of the fact that people appear to talk that way and live in that room. You're looking for the poetry in something, and I don't mean poetry in the fancy sense. Naturalism believes by just replicating a thing you give the truth, rather than earning the truth.
The sublime can only be found in the great subjects. Poetry, history and philosophy all have the same object, and a very great object-Man and Nature. Philosophy describes and depicts Nature. Poetry paints and embellishes it. It also paints men, it aggrandizes them, it exaggerates them, it creates heroes and gods. History only depicts man, and paints him such as he is.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
There is a great deal of freshness and charm in '400 Blows.' There is also a great deal of visual poetry in the way in which Truffaut's camera looks at his beloved city.
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