I do not wish to die- There is such contingent beauty in life: The open window on summer mornings Looking out on gardens and green things growing, The shadowy cups of roses flowering to themselves- Images of time and eternity- Silence in the garden and felt along the walls.
The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.
If your purse no longer bulges
and you've lost your golden treasure,
If times you think you're lonely
and have hungry grown for pleasure,
Don't sit by your hearth and grumble,
don't let mind and spirit harden.
If it's thrills of joy you wish for
get to work and plant a garden!
If it's drama that you sigh for,
plant a garden and you'll get it
You will know the thrill of battle
fighting foes that will beset it
If you long for entertainment and
for pageantry most glowing,
Plant a garden and this summer spend
your time with green things growing.
O the green things growing, the green things growing,
The faint sweet smell of the green things growing!
I should like to live, whether I smile or grieve,
Just to watch the happy life of my green things growing.
Bad Gardens copy, good gardens create, great gardens transcend. What all great gardens have in common are their ability to pull the sensitive viewer out of him or herself and into the garden, so completely that the separate self-sense disappears entirely, and at least for a brief moment one is ushered into a nondual and timeless awareness. A great garden, in other words, is mystical no matter what its actual content.
It was like a miracle. I'm just feeling fabulous. What's incredible is someone has given your life back. I'm out in the garden today. This time last year I was looking out a window at a hospital.
I haven't much time to be fond of anything ... but when I have a moment's fondness to bestow, most times ... the roses get it. I began my life among them in my father's nursery garden, and I shall end my life among them, if I can. Yes. One of these days (please God) I shall retire from catching thieves, and try my hand at growing roses.
There is a continuity about the garden and an order of succession in the garden year which is deeply pleasing, and in one sense there are no breaks or divisions - seed time flows on to flowering time and harvest time; no sooner is one thing dying than another is coming to life.
On Melbourne summer mornings the green trams go rolling in stately progress down tunnels thick with leaves: the bright air carries along the avenue their patient chime, the chattering of their wheels.
Let me define a garden as the meeting of raw nature and the human imagination in which both seek the fulfillment of their beauty. Every sign indicates that nature wants us and wishes for collaboration with us, just as we long for nature to be fulfilled in us. If our original state was to live in a garden, as Adam and Eve did, then a garden signals our absolute origins as well as our condition of eternity, while life outside the garden is time and temporality.
Green grass, green grandstands, green concession stalls, green paper cups, green folding chairs and visors for sale, green and white ropes, green-topped Georgia pines. If justice were poetic, Hubert Green would win it every year.
Green, the color of growth, or surgent life, enwraps the land. New green, still as individual as the plants themselves. Cool green, which will merge as the weeks pass, the Summer comes, into a canopy of shade of busy chlorophyll.
Eternity isn't some later time. Eternity isn't a long time. Eternity has nothing to do with time. Eternity is that dimension of here and now which thinking and time cuts out. This is it. And if you don't get it here, you won't get it anywhere. And the experience of eternity right here and now is the function of life.
A handful of men working within the Zen sect of Buddhism created gardens in fifteenth-century Japan which were, and still are, far more than merely an aesthetic expression. And what is left of the earlier Mogul gardens in India suggests that their makers were acquainted with what lay behind the flowering of the Sufi movement in High Asia and so sought to add further dimensions to their garden scenes.
Stop looking at the walls, look out the window.
...The simple little words came easily, fitting themselves to the tune that had come out of the harpsichord. It didn't seem to her that she made them up at all. It seemed to her that they flew in from the rose-garden, through the open window, like a lot of butterflies, poised themselves on the point of her pen, and fell off it on to the paper.
Poetry is my understanding with the world, my intimacy with things, my participation in what is real, my engagement with voices and images. This is why a poem speaks not of ideal life but of actual life: the angle of a window; the reverberation of streets, cities, rooms; shadows along a wall.