A Quote by A. L. Rowse

One might regard architecture as history arrested in stone. — © A. L. Rowse
One might regard architecture as history arrested in stone.
Some authors regard morality in the same light as we regard modern architecture. Convenience is the first thing to be looked for.
Architecture is art. I don't think you should say that too much, but it is art. I mean, architecture is many, many things. Architecture is science, is technology, is geography, is typography, is anthropology, is sociology, is art, is history. You know all this comes together. Architecture is a kind of bouillabaisse, an incredible bouillabaisse. And, by the way, architecture is also a very polluted art in the sense that it's polluted by life, and by the complexity of things.
Some men are, in regard to ridicule, like tin-roofed buildings in regard to hail: all that hits them bounds rattling off; not a stone goes through.
Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms.
Human intelligence discovered a way of perpetuating itself, one not only more durable and more resistant than architecture, but also simpler and easier. Architecture was dethroned. The stone letters of Orpheus gave way to the lead letters of Gutenburg. The book will kill the edifice.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
I always had some kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
When the uncultured man sees a stone in the road it tells him no story other than the fact that he sees a stone ... The scientist looking at the same stone perhaps will stop, and with a hammer break it open, when the newly exposed faces of the rock will have written upon them a history that is as real to him as the printed page.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
If you get arrested, you`re supposed to know why you`re arrested. So, Freddie Gray should have known why he was arrested. His friends, his family, his community, they should have known what he was charged with, why he was arrested. And the police should have come out with that right away.
In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I don't believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God--who knows all that can be known--seems powerless to change.
Technology is a tool, and it's a platform. Nobody gets arrested for being a blogger; people get arrested for dissent. Nobody gets arrested for putting information about themselves online; they get arrested for being an activist. I'm a strong believer in the fact that you should not blame the tools; you should blame the circumstances.
The stone that was rolled before Christ's tomb might appropriately be called the philosopher's stone because its removal gave not only the pharisees but, now for 1800 years, the philosophers so much to think about.
Language is the amber in which a thousand precious and subtle thoughts have been safely embedded and preserved. It has arrested ten thousand lightning flashes of genius, which, unless thus fixed and arrested, might have been as bright, but would have also been as quickly passing and perishing, as the lightning.
When we come to understand architecture as the essential nature of all harmonious structure we will see that it is the architecture of music that inspired Bach and Beethoven, the architecture of painting that is inspiring Picasso as it inspired Velasquez, that it is the architecture of life itself that is the inspiration of the great poets and philosophers.
I went to school for engineering, I studied jazz. So I always had this kind of creative side and technical side, and I thought architecture might be the way to combine them, so I went to architecture school in New York.
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