A Quote by A. P. J. Abdul Kalam

When a nation is surrounded by weaponized nations, she has to equip herself. — © A. P. J. Abdul Kalam
When a nation is surrounded by weaponized nations, she has to equip herself.
I think she [Michelle Obama] is reluctant to date someone she's above at work. It's 1989, she's at a law firm, surrounded by mostly white men, and she has to prove herself every day.
I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
She likes herself, yet others hates, For that which in herself she prizes; And while she laughs at them, forgets She is the thing that she despises.
She existed in her friends; there she was. All the parts of herself she'd forgotten. She knew herself best when she was with them.
In writing a novel about George Sand, I hoped to present her as the talented, beguiling, complicated and occasionally infuriating woman I think she was, but I hope, too, that readers will enjoy the people she surrounded herself with.
She lacks confidence, she craves admiration insatiably. She lives on the reflections of herself in the eyes of others. She does not dare to be herself.
When a woman buys shoes, she takes them out of the box and looks at herself in the mirror. But she isn't really looking at her shoes - she's looking at herself. If she likes herself, then she likes the shoes.
She'd become a governess. It was one of the few jobs a known lady could do. And she'd taken to it well. She'd sworn that if she did indeed ever find herself dancing on rooftops with chimney sweeps she'd beat herself to death with her own umbrella.
I think the great power of Bette Davis was she always knew who she was. She had an obligation to herself and her audience. When you think of what she was compelled to do, the power she put on the screen, the fact that she took upon herself a much greater task.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
She's talking about herself in the third person because the idea of being who she is, of acknowledging that she is herself, is more than her pride can take.
She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.
...[She] felt as if she were both a stranger to herself and more herself than she'd ever been.
Cassandra always hid when she read, though she never quite knew why. It was as if she couldn't shake the guilty suspicion that she was being lazy, that surrendering herself so completely to something so enjoyable must surely be wrong. But surrender she did. Let herself drop through the rabbit hole and into a tale of magic and mystery.
He was right – she was beating herself up about hurting his feelings. The girl was a classic martyr. She’d totally been born in the wrong century. She should have lived back when she could have gotten herself fed to some lions for a good cause.
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