A Quote by A. R. Rahman
The music had to be rooted, and yet had to branch out,like the wild imagination of a child.
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As a child I had a wild imagination; from the age of seven I'd sit and write epic stories.
Many years ago, it was my opportunity to serve as president of the Canadian Mission. There we had a branch with very limited priesthood. We always had a missionary presiding over the branch. I received a strong impression that we needed to have a member of the branch preside there.
I had a good imagination and I still have one; a child-like imagination that hasn't gone away.
I had a wild imagination as a kid - wild! - and I was outside all the time, swinging around in trees by myself.
The music that I've made in the past has had strong contemporary country roots, but I think moving on in music, I will branch out from that a bit.
I was a wild, mischievous kid, and I had tremendous imagination. Any experience I had, I'd try to reenact it.
Know why people run marathons? …Because running is rooted in our collective imagination, and our imagination is rooted in running. Language, art, science; space shuttles, Starry Night, intravascular surgery; they all had their roots in our ability to run. Running was the superpower that made us human — which means its a superpower all humans posses.
Then there was Clark Ashton Smith, who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer, but his imagination was wonderful.
One thing I think about a lot is that one of my favorite pieces of narrative art as a child was 'Calvin and Hobbes.' I really saw myself in the character of Calvin. I was rambunctious, I didn't always follow the rules, I had a wild imagination.
It had nothing to do with gear or footwear or the backpacking fads or philosophies of any particular era or even with getting from point A to point B. It had to do with how it felt to be in the wild. With what it was like to walk for miles with no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.
A child who had been introduced to misery in Saudi Arabia, a teenager who went to wage jihad against the Soviets in Afghanistan, a deeply devout Muslim who had graduated with honors in medicine, a man who had fed a stranger to wild dogs in Damascus, a zealot who had dosed three foreigners with smallpox and watched them die in agony, gave thanks to Allah for the blessings that had been bestowed upon him.
My daddy had been a fiddler, and I heard a lot of fiddle music as a child. I had a ukulele and had played along with him.
I started reading. I read everything I could get my hands on...By the time I was thirteen I had read myself out of Harlem. I had read every book in two libraries and had a card for the Forty-Second Street branch.
I had an incredibly full life with my imagination: I used to have all sorts of trolls and things; I had a wonderful world around my toys and invented people. I don't mean I had imaginary friends; I just had this big imagination thing going on. I didn't need any imaginary friends, because I had so much other stuff going on.
Go-go is so drum and Congo based. It's almost like music from Africa. The drums like on 'Planet Paradise' are deeply African-rooted. It's really bouncy and the same speed as go-go music. That's an example of the influence go-go had on me.
I grew up as an only child of two parents who had dropped out of high school. They had enormous respect for education and encouraged me as a child when I had strong interests in both math and science, but we really didn't have much by way of educational role modeling in our family.
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