A Quote by A. R. Rahman
I've been doing music for many years and after a point what is the motivation that drives you to compose and to do stuff? I did this song for the U.N., a fighting for poverty anthem. That's when I realized that I could do a foundation. And when I started the foundation, it was basically to fight poverty and to help - that kind of stuff.
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Many years ago, I started a foundation [Wayuu Taya Foundation] to help improve the life of Latin American indigenous people, providing them with food, medical attention, education, and also focusing on sustainability.
We think there are better solutions to fighting poverty because we see what the War on Poverty has produced. It produced tens of trillions of dollars in spending. It has been a 51-year exercise, and yet the poverty rates in America today are not much better than when we started the War on Poverty.
I've always been a big supporter of the Surfrider Foundation. I started my own foundation, Rob Machado Foundation, which focuses on environmental education for the little people of the world.
You know my mother during her lifetime was unable to set up a foundation for the arts. She always had that idea and did help the arts in many other ways but never was able to set up her own foundation, so we did it in her name after her passing.
India has to fight poverty, Pakistan too has to fight poverty, why don't we come together to fight poverty?
Poverty, I realized, wasn't only a lack of financial resources; it was isolation from the kind of people that could help you make more of yourself.
I support many organizations that I feel are doing the right thing, like Alonzo Mourning's foundation, Alicia Keys' foundation, the Make-a-Wish Foundation, and other well-established foundations. I kick out a lot of time and money wherever I can.
While we fight poverty in the Gulf, we also have to fight poverty across America. We should begin by returning to a promise once kept and now broken: If you work full-time, you shouldn't have to raise your children in poverty.
I started a foundation, called The Khaled Hosseini Foundation. The mission has been to help the most vulnerable groups in Afghanistan. So the focus has been on women, children, and homeless refugees, most of whom are in fact women and children.
When I came in, the city was on the edge of bankruptcy. I'm proud of what I did. I built the foundation that mayors after me built upon - particularly Bloomberg. But the foundation was essential because if it hadn't occurred, we would have been another Detroit.
The ALAS Foundation was born as a consequence and a continuation of what we are doing with Pies Descalzos. I started the Pies Descalzos foundation in Colombia when I was 18, and since then, I have been very involved in the crusade for education.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
We think sometimes that poverty is only being hungry, naked and homeless. The poverty of being unwanted, unloved and uncared for is the greatest poverty. We must start in our own homes to remedy this kind of poverty.
If you build that foundation, both the moral and the ethical foundation, as well as the business foundation, and the experience foundation, then the building won't crumble.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
To some degree. I think that I've always been very much of a chordal person. The chords are the foundation of everything. Some of Yes' stuff is very linear, albeit complex, but it's single-line melodic stuff. So I kind of had to wear a different cap working with Yes. It's not so much chord-based.
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