A Quote by A. S. Byatt
There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
Related Quotes
When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
He felt that the darkness was full of unimaginable horrors - and the trouble with unimaginable horrors was that they were only too easy to imagine.
Schiller never wanted to replace the moral with the aesthetic but he did want the moral to be one part of the aesthetic. He rightly notes the aesthetic dimension of morality, that we use concepts like grace to characterise people who do their duty with ease and pleasure.
I found my style and how I like to do makeup from trying and failing and trying and failing again, and unfortunately, I had to do it publicly to figure it out.
I read things and imagine them and then kind of start trying to kind of take what I imagine and make it visual for everybody else to see. It just happens to be my personal vision, and every person's is going to be different, every book reader.
Aesthetics has become too important to be left to the aesthetes. To succeed, hard-nosed engineers, real estate developers, and MBAs must take aesthetic communication, and aesthetic pleasure, seriously. We, their customers, demand it.
I have a song called "Men." I mean, manhood and trying to be one, and failing as one, and trying to be a husband and a father, and failing at that. I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.
When I'm trying to imagine something, I have a few elements, a few ideas, maybe a certain actor or actress I want to create a certain type of character for, or maybe a certain place.
I have no more pleasure in hearing a man attempting wit and failing, than in seeing a man trying to leap over a ditch and tumbling into it
I'm not singer; every time I have the urge to sing something, I don't want to do it in front of certain people. I was always that kid afraid of failing, so I just didn't do things. I don't know how to ride a bike, I don't know how to drive. I broke out of shell a bit, and I still am. I think it's more about trying to be the full person I imagine myself to be, regardless of what that means in terms of labels, shade from people, and all of that.
There is a huge difference between failing and failure. Failing is trying something that you learn doesn't work. Failure is throwing in the towel and giving up. True success comes from failing repeatedly and as quickly as possible, before your cash or your willpower runs out.
You imagine a reader and try to keep the reader interested. That's storytelling. You also hope to reward the reader with a sense of a completed design, that somebody is in charge, and that while life is pointless, the book isn't pointless. The author knows where he is going. That's form.
There's a certain pleasure of the life of the mind that cannot be denied. There's a certain pleasure about being around people who enact a playfulness when it comes to the world of ideas.
When we talk about good books, we often talk about good sentences, but what we rarely talk about is reader pleasure. Yet it is reader pleasure that is going to make a book break out into the kind of success that makes it into a household name.
The main reason I decided to study Latin American literature was because I'd gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic. When I think about literature, I think about it in the three languages I read easily - English, Spanish, and Portuguese. The authors I prefer are all very different and are not limited to certain genres or even certain time periods. Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
To imagine the unimaginable is the highest use of the imagination
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