A Quote by A. S. Byatt
There is a peculiar aesthetic pleasure in constructing the form of a syllabus, or a book of essays, or a course of lectures. Visions and shadows of people and ideas can be arranged and rearranged like stained-glass pieces in a window, or chessmen on a board.
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The easiest thing to do is throw a rock. It's a lot harder to create a stained glass window. I used to get upset at the people who threw rocks but now I'd rather spend my time building the stained glass windows.
Some days seem to fit together like a stained glass window. A hundred little pieces of different color and mood that, when combined, create a complete picture.
God Ain't no stained glass window, cause he never keeps his window closed.
I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications.
Imagine a smashed stained-glass window, a page torn from a Bible, or a snippet of choral singing. You would still recognize their religious roots, wouldn't you? In 1915, Coca-Cola designed a bottle so unique that if it were smashed into thousands of pieces, from a single shard of glass you'd still be able recognize the brand. We call such a device a Smashable. It can be anything from a color to a sound, from a pattern to a smell to an icon.
bent like the branches of a tree broken like the pieces of my heart cracked like the seventeenth moon shattered like the glass in the window the day we met
Stained glass, engraved glass, frosted glass; give me plain glass.
The Church cannot be content to live in its stained-glass house and throw stones through the picture window of modern culture.
I think people seem to want to read pieces that are shorter but not as short as the pieces they can read in small bites on the Internet. It may be that the sort of long essays are hitting a sweet spot between the tiny morsels online and the full-length book.
Schiller never wanted to replace the moral with the aesthetic but he did want the moral to be one part of the aesthetic. He rightly notes the aesthetic dimension of morality, that we use concepts like grace to characterise people who do their duty with ease and pleasure.
It was a blonde. A blonde to make a bishop kick a hole in a stained-glass window.
For me a stained glass window is a transparent partition between my heart and the heart of the world.
A Hubble Space Telescope photograph of the universe evokes far more awe for creation than light streaming through a stained glass window in a cathedral.
Lucas should've run out of there that instant. Instead he stared at me through the glass and slowly unfolded his hand opposite mine so that our hands were pressed againts the pane of glass, fingers to fingers, palm to palm. We each move closer, so that our faces were only inches apart. Even with the stained glass, window between us, it felt as intimate as any kiss we'd shared.
Change masters are - literally - the right people in the right place at the right time. The right people are the ones with the ideas that move beyond the organization's established practice, ideas they can form into visions. The right places are the integrative environments that support innovation, encourage the building of coalitions and teams to support and implement visions. The right times are those moments in the flow of organizational history when it is possible to reconstruct reality on the basis on accumulated innovations to shape a more productive and successful future.
Imagination can't create anything new, can it? It only recycles bits and pieces from the world and reassembles them into visions... So when we thing we've escaped the unbearable ordinariness and, well, untruthfulness of our lives, it's really only the same old ordinariness and falseness rearranged into the appearance of novelty and truth. Nothing unknown is knowable.
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