A Quote by A. S. Byatt

An odd phrase, "by heart," he would add, as though poems were stored in the bloodstream. — © A. S. Byatt
An odd phrase, "by heart," he would add, as though poems were stored in the bloodstream.
I've changed over my writing life. If I can generalize, I would say that the more recent poems - believe it or not - are more pointedly political; although, if the earlier poems were more existential, they were still political; though, in their own way, had a complicated presence.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
If you were going to make sculptures of them, the swivel poems would be disparate objects all attached with hinges and the prose poems would be small sheep wrapped in extra wool.
When I'm assembling a book I concentrate as though I were writing a poem. A truly imagined arrangement will indicate gaps and generate new poems. I re-read the new poems in my folder in the hope that this might happen.
We were all such odd characters, even though we were a really functional family, in a way, as eccentric and crazy as we were. And it was such a wonderful feeling amongst us of being a family almost. We were 'The Addams Family!'
White male privilege remains alive in America, but the phrase would seem odd, if not infuriating, to a sixty-year-old man working as a Walmart greeter in southern Ohio.
I kind of started with this foundation, and tried to do all the research I could do for Alice [Cullen], and then every time a [new] director would come in, they have their own artistic take on things and add in new elements. And a lot of times they would ask, "What did you love that you portrayed, and what do you wish that you could show?" So I felt, with each installment, I got the opportunity to add on something. I think she was very - you know, really sweet, [laughs] a little odd in the first installment.
I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.
Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels.
The thinnest slice would be teeming with memories of a love so strong it turned you inside out and left you gasping, and would be an identical match to a slice stored in the heart of a soul mate.
In the 1920s and 1930s, scientists from both the political left and right would not have found the idea of designer babies particularly dangerous - though, of course, they would not have used that phrase.
it was odd, he thought, that a man could hate himself as though he were someone else.
I wrote the poems in Charms Against Lightning one by one, over almost a decade, and I did not write them toward any theme or narrative. But once I really got serious about putting together a book, I began to see that in fact there were themes across the poems, if only because my own obsessions had brought me back time and again to the same ground. I realized that any ordering of the poems would determine how those themes developed over the manuscript, and how the collection's dramatic conflicts were resolved.
I began to imitate what I was reading, and I started to become a poet, even though what I was writing were not good poems.
There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.
I wrote those poems for myself, as a way of being a soldier here in this country. I didn't know the poems would travel. I didn't go to Lebanon until two years ago, but people told me that many Arabs had memorized these poems and translated them into Arabic.
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