A Quote by A-Trak

I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching. — © A-Trak
I'm one of the few DJs who uses turntables. I'm the only DJ that's scratching.

Quote Author

In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the - they've had a whole series now of these things called Kaoss Pads. They're wonderful because they do get your muscles working again. And what DJs do, of course, with their DJ turntables now, the CD turntables, which have pitch change and speed change and everything else. They're doing something that I think is interestingly physical.
You can be a great DJ and still be not very good at DJ Hero. And vice-versa: You can have never spun in your life on real turntables and be fine on DJ Hero.
There is a scene in the movie with DJ Cutkiller, one of the biggest European DJs from France, and he was scratching like crazy. When I saw that, I was 14, and I was like, 'Yo that's what I want to do. That's crazy.'
I can't watch a woman play with herself - to me, it looks like a DJ working the turntables... DJ Diddles.
The DJ still has the relationship with the people, I believe. I don't know to call the DJ 'the ambassadors' or what, but we still are connecting the dots, getting the good stuff and passing it on to the people. DJs still have relevance, even with the technology that elevates the DJ beyond being a selector.
I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
I wouldn't call myself 'into the DJ scene.' I have friends who are DJs, like James Murphy. I was really into the DJ scene at his wedding. But generally, I'm not at the clubs. I've never been to a rave.
To me, the whole thing with the roots of rap music was when the DJ had to supply all the music for the group with two turntables. And the whole criteria of what that DJ would use had nothing to do with what type of band made a record.
Pete Dj Jones was the first person that I saw with 2 turntables. This was 1972.
I started DJ-ing in the '90s. DJ-ing is in every record I do. When I make records I make them for DJs.
I DJ and I'm a harsh critic of DJs.
I basically taught myself how to DJ, but I've been inspired by DJs throughout my whole career. I have some good friends that would hook us up with music. You learn some little things here and there from each DJ and you just take it and put your own style into to it.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
I never aimed for the radio, you know? I'm a DJ - I want my records to be played by all the other DJs in the clubs.
I'm one of the few artists who started from the ground up for real. Not taking no records to the radio station begging no DJ to play it. When DJs started playing my records they called me for them. I ain't pull up and ask nobody for nothing, I ain't pay nobody nothing.
This site uses cookies to ensure you get the best experience. More info...
Got it!