A Quote by A-Trak
There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
The way that house music has become so white and so sanitized over the decades and the fact it's still going on, well I think it's sad really, but at the time I really loved it. I loved all the black house music that was coming out of Chicago and New Jersey, which I just thought was really soulful.
I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.
There's a lot of hidden gems in the UK. You sometimes have to dig deep to find them, but there's still a lot of great guitar bands out there. So, in a way it makes you appreciate it more, but then a lot of bands do go missing also.
I find it interesting when I look back at songs and it's what I've been thinking and feeling for the past two years. There's some sexual stuff in this record and I'm sometimes like, "Is that too far?" There's a confidence in it. It's over-sharing, but in a really therapeutic way.
I have an office in my house and one about five minutes from my house. I worked solely out of my house for many years, but find, with children, that I have to be in a different ZIP code to think.
The homes I like the best are totally occupied, busy, and useful, whether it's a tiny little house or a great big one. Rarely do you find a great big house that's used in a good way. So I prefer smaller spaces that are full of books, full of things that people are doing.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
If you look before the '90s, you might not find many - if any - albums with multiple producers. It just didn't exist in the history of music. That would have been like Michael Jackson telling Quincy Jones, 'Look man, I know we did well on 'Off The Wall,' but I'm hot now, and I need to see some other producers for 'Thriller.''
I've been watching more American TV because of all the great TV series that have come out in the last five to 10 years. I'm a 'Sopranos' fan, I'm a 'Wire' fan, I'm a 'Mad Men' fan. I'm a 'Deadwood' fan. It makes me optimistic for the future of storytelling on TV that producers are willing to take that kind of jump.
I like a lot of that Chicago stuff, house music.
I was raised in a musical house. Marvin Gaye. Boyz II Men. Jodeci. My mom always played that Toni Braxton song, 'Un-Break My Heart.' When I hear that song, it still puts me right back in the car with her.
I owe a lot to my time on 'House of Cards' because, up until I booked that show, I had been working consistently for 12 years, but I wasn't working on anything that mattered in the way 'House of Cards' did to its audience, to casting directors, to directors and producers. The show hit this sweet spot.
We spend a lot of time trying to keep all that stuff very private. In this day in age, it's impossible. It's out in the ether and people send stuff to my house all the time. People show up at my house sometimes.
Despite the fact that she was essentially comatose, she somehow made his whole house feel different just by being there. Before it had been just a house—a very impressive house no doubt, but a house nonetheless. But for some reason, with Taylor there it felt more like a home.
When you get to a certain level of recognizability, celebrity, you can't go out of the house without someone going, "Can I just have one photo?" I don't mind, by the way, if anyone wants one we can take some photos. But sometimes you just wanna stay in the house or in the hotel room with the shades closed.
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