A Quote by A-Trak
One thing that I learned in recent years from working more with other people is this idea that part of a producer's job is to make people comfortable and confident.
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I learned all my life skills working in a restaurant. How to have a relationship, manage, develop a brand, dress people, make people confident - everything.
I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
There's a theory out there that if you're in a public profession you're fair game. I couldn't disagree with that idea more. Especially with children - half the time they don't choose to be in that profession. For people to objectify other people's lives - kids or not - I find very tedious and tiresome. People who have a craft, that's their job. Their job isn't to create fodder for other people who are bored.
For many of us, we imagine that separation is crucial, the time for your mind to switch from one thing to another is important. And there are other people who are much more comfortable with that barrier being on a spectrum, always working or always semi-working.
I certainly direct with confidence even if I'm not confident. I learned early on as an actor that confidence can be faked, and it's not always a terrible thing to do. A lot of times if people feel you're confident, then they're confident.
Maybe I was always more than one person, or even two. Maybe being on TV was just my job. People find it hard to get their heads around that. A couple of times I have shone a light on the other sides of my life, but I have learned to be cautious about that. Because people are only comfortable with the Noel Edmonds they see on television.
The more comfortable you are, the more confident you are - in how you say your lines or how you perform in a certain scene - because you're working with great people who will watch over you and won't let you down.
I feel so much more comfortable when I'm working on material which makes other people scratch their heads and ask, 'You're going to make a musical out of that?'
I think, so often, people go quick to that nepotism: 'I should be OK; my cousin's a producer. I can get into the movie.' How about audition, earn the part, and feel confident in knowing that the director felt you were the right person for the job versus hiring you because you know somebody?
I feel comfortable working with people who are secure in themselves and confident in what they do.
What I learned from people like Carlos Santana is that you cannot get too happy after working for five years in the industry. It takes years and years, and I learned to keep a straight head and keep on working harder and harder.
The best photographers are super nice people and that its not a coincidence. Great photographers genuinely like people, and people can feel that. That's what makes people feel comfortable. It is important to appear confident with clients, but it is more important to not be afraid to act like a fool, have fun, laugh and shake your hips to get people comfortable.
Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic.
I've been working a lot with Benny Blanco; he's a producer. And I've been working with Diplo and a bunch of other people. Detail, Charlie Handsome. A variety of people.
I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.
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