A Quote by A-Trak

I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ. — © A-Trak
I'm still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
I love that hip-hop can still provide jobs for niggas to get money and to put their crew on. I would never say that hip-hop is going down. It's cool, but it needs an adjustment. I think that hip-hop just needs a little fine-tuning.
Prince, Bootsy Collins, Earth Wind & Fire and Parliament all had albums that sound different. I wanted to show, as a hip-hop producer, I'm one of those that can do anything, because I was raised on so much music aside from rap and hip-hop.
My son is a hip-hop producer.
I'd be saying, 'No, I'm so not a DJ, I'm a producer.' But no matter how much faith you may have in yourself, until you have a hit you can't really run around telling everyone you're a producer.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
I grew up in the '80s and '90s listening to Public Enemy and Mobb Deep and the Smashing Pumpkins. I don't even know what it was like in the '60s - I wasn't alive then - so the Mayer Hawthorne sound is taking what I can learn from the classics, and blending it with my hip-hop DJ and producer background and punk-rock bands that I played in as a kid.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I was truly honored to work with legendary DJ and producer DJ Premier. I still can't believe I have a track with Premier; it really is one of the best songs I've written in a long time.
Dr. Dre is the most influential artist and producer in hip-hop history.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
The young generation just wanna move. And you know what? I love it. I love that hip-hop can still provide jobs for niggas to get money and to put their crew on. I would never say that hip-hop is going down. It's cool, but it needs an adjustment.
An actor like me hardly ever sees a producer. My agent will say, how about Coogan for the part. The producer will say yes. So you never see the producer.
Everything I make as a producer, I visualize it as a DJ first. And all those beats, I test them as a DJ.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
That's something I want people to know, that I am a real DJ. I started as a DJ before I was even a producer.
I try to get the hip-hop aesthetic, most times without an MC. I don't use a rapper or a DJ to give it the hip-hop style; it's strictly the band that makes that music, which is a lot harder to do.
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