A Quote by Aaliyah

I don't have to go back to Australia until next year to finish shooting [the "Matrix" sequels]. It actually works out great, because I have the time needed to support the album and tour. ... It's kind of hard juggling both of them, because it's double the workload. But the way I look at is I just let it work itself out, let it flow. If I don't think about it, it won't drive me crazy.
When we finish this tour we are going to begin writing and go into the studio to hopefully have a brand new Foreigner album out in early spring next year. This will be the first Foreigner album out in about ten years.
There’s a good kind of crazy, Kaylee,” he insisted softly, reaching out to wrap his warm hand around mine. “It’s the kind that makes you think about things that make your head hurt, because not thinking about them is the coward’s way out. The kind that makes you touch people who bruise your soul, just because they need to be touched. This is the kind of crazy that lets you stare out into the darkness and rage at eternity, while it stares back at you, ready to swallow you whole.
When you get out of the driver's seat, you find that life can drive itself, that actually life has always been driving itself. When you get out of the driver's seat, it can drive itself so much easier-it can flow in ways you never imagined. Life becomes almost magical. The illusion of the “me” is no longer in the way. Life begins to flow, and you never know where it will take you.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
Having full-time classes, it doesn't really work out because there's so much workload and so much studying that you really don't have time to train. I'd stay up until two or three in the morning just studying, and then I'd have to go get a few miles running, work out at the gym super late, and try to get my working out in late at night.
You know, I think the stats are out whoever won the Tour Championship never made it back the next year. There's a reason for that. It's hard. It's just tricky.
It's was all the internet. I started writing songs in high school, right about the time of the onset of Napster. I went to college in Dallas, and when I'd get back from class I'd have fans emailing me from different areas of the country asking when the album was going to be out and when I was going on tour. It was crazy, because I didn't even consider myself a professional musician.
It's Richard Kelly's brilliance, because he led me to Donnie Darko performance. He wanted sincerity, he didn't want it to be one color, and he made me go vulnerable, and I think that's why it works. When you can get all those different colors and levels in one line. Time Out New York voted it "Best Line Of The Year" - which is crazy, because how many words is it? "Sometimes. I. Doubt. Your. Commitment. To. Sparkle. Motion." Eight words. It's crazy.
I never wanted to get to a point in my life where I knew what was going to happen next. I felt like most people just couldn't wait until they found themselves settled down into a routine and they didn't have to think about the next day, or the next year, or the next decade because it was all planned out for them. I can't understand how people can settle for having just one life.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
'Battlestar' was 22 episodes - 9 to 10 months a year - and we were exhausted. You finish shooting, and the last thing you want to do is go back to work. You want those 3 months off because you're tired - it's a grueling shooting schedule.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
'Donny and Marie' was a great experience. I tried so hard to be a great talk show host but it's all about relaxing and enjoying it. Marie and I finally figured that out. I would have liked it to continue but I'm kind of glad it's over because of the phenomenal workload.
I live out of a bag. I just looked at what's going on for me, I'm not gonna be back in England for more than a week between now and March of next year, I think, which is crazy. By that time the lease is up on my apartment! I'm getting a kick out of being homeless.
The album 'Physicist,' I erased all the work that I had done halfway through. I think that's probably why that contributed to that album being sort of sub-par for me, just because by the time I had to go back and do it, I was just over it.
Usually, when we go out, it's because we made a new studio album, and that becomes the focus of the tour throughout the world for a year or so.
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